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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Performing and Displaying
|
Athletics - Understanding long jump and the sail technique
Athletics - Watching and understanding the sail technique in long jump |
By the end of the
lesson, the learner
should be able to:
- Describe the long jump event including its three key parts: runway, take-off board and landing sandpit. - Identify the four phases of the long jump: approach, take-off, flight and landing. - Appreciate the importance of safety measures when participating in long jump activities. |
In groups, learners are guided to:
- Study a picture of a long jump facility and identify its key parts. - Discuss the safety measures to observe when performing long jump. - Watch a virtual or live long jump performance and observe how the athlete performs the four phases. |
What are the key parts of a long jump facility and why does each matter?
|
- Hummingbird Creative Arts Learner's Book pg. 89
- Digital devices - Long jump facility or open ground - Hummingbird Creative Arts Learner's Book pg. 91 - Long jump video link |
- Oral questions
- Observation
|
|
| 2 | 2 |
Performing and Displaying
|
Athletics - Demonstrating the sail technique in long jump
Athletics - Practising the sail technique in long jump |
By the end of the
lesson, the learner
should be able to:
- Describe the key steps of the approach run (increasing pace, high knees) and take-off before demonstrating. - Demonstrate the approach run with increasing pace and execute the take-off by planting the foot and pushing off. - Appreciate the importance of applying safety precautions to prevent injury during long jump demonstration. |
In groups, learners are guided to:
- Demonstrate the approach run at a consistent, gradually increasing pace. - Practise the take-off: bend knees, plant take-off foot just behind the line, push off while swinging opposite knee. - Demonstrate the flight (sail) position — legs extended forward, arms extended in front. |
How does a controlled approach run contribute to a powerful take-off in long jump?
|
- Hummingbird Creative Arts Learner's Book pg. 92
- Long jump runway - Take-off board or marked line - Hummingbird Creative Arts Learner's Book pg. 94 - Long jump runway, sandpit - Cones or markers |
- Observation
- Skill progression charts
|
|
| 2 | 3 |
Performing and Displaying
|
Athletics - Measuring and recording long jump performance
Athletics - Understanding high jump and the scissors technique |
By the end of the
lesson, the learner
should be able to:
- Apply the sail technique in long jump during a measured performance. - Measure and record jump distances for each learner accurately. - Appreciate personal improvement and give encouraging feedback to peers. |
- Each learner performs the sail technique long jump and a partner measures the distance.
- Record measurements in exercise books and identify the learner with the greatest distance. - Discuss what aspects of technique contributed to longer jumps and how to improve. |
How is jumping skill useful in athletics and how can performance be improved through measurement?
|
- Hummingbird Creative Arts Learner's Book pg. 94
- Long jump facility - Tape measure, exercise books - Hummingbird Creative Arts Learner's Book pg. 95 - Digital devices - High jump facility or improvised bar |
- Observation
- Written assignments
|
|
| 2 | 4 |
Performing and Displaying
|
Athletics - Demonstrating the scissors technique in high jump
Athletics - Practising the scissors technique in high jump |
By the end of the
lesson, the learner
should be able to:
- Describe the approach angle, take-off foot placement and scissors kick sequence before demonstrating. - Demonstrate the approach run, take-off and scissors kick, executing the alternating leg motion to clear the bar. - Appreciate the importance of correct body alignment and arm action in producing a safe, effective scissors jump. |
In groups, learners are guided to:
- Demonstrate the approach run at an angle towards the bar. - Show the take-off: bend knees, plant take-off foot, push off while swinging opposite knee up. - Perform the scissors kick — swing the lead leg over the bar first, then follow with the take-off leg. |
How does the scissors motion of the legs help the athlete clear the bar in high jump?
|
- Hummingbird Creative Arts Learner's Book pg. 97
- High jump bar at low height - Landing mat - High jump bar and uprights |
- Observation
- Skill progression charts
|
|
| 2 | 5 |
Performing and Displaying
|
Athletics - Practising high jump through peer observation and feedback
|
By the end of the
lesson, the learner
should be able to:
- Consistently perform the scissors technique with improved control and height clearance. - Observe peers and provide constructive, specific feedback on approach angle, take-off and leg alternation. - Appreciate the role of honest, positive feedback in creating a supportive learning environment in athletics. |
In groups, learners are guided to:
- Continue practising the scissors technique at increasing heights. - Peer-observe and use specific criteria: approach angle, take-off foot, leg alternation, landing. - Teach or demonstrate the technique to a friend or sibling and share polite feedback. |
Why is giving and receiving honest feedback important for improving athletic performance?
|
- Hummingbird Creative Arts Learner's Book pg. 97
- High jump facility - Landing mat |
- Observation
- Oral questions
|
|
| 2 | 6 |
Performing and Displaying
|
Athletics - Measuring and recording high jump performance
|
By the end of the
lesson, the learner
should be able to:
- Apply the scissors technique in high jump during a measured performance. - Record the heights cleared by each learner accurately. - Reflect on personal technique using the self-assessment checklist. |
- Each learner attempts the scissors technique at progressively increasing heights.
- Record the highest height cleared by each learner in exercise books. - Complete the self-assessment checklist for athletics: sail technique and scissors technique. |
How does measuring and recording performance help a learner track athletic improvement?
|
- Hummingbird Creative Arts Learner's Book pg. 98
- High jump bar and uprights - Tape measure, exercise books |
- Written assignments
- Self-assessment worksheet
|
|
| 3 | 1 |
Performing and Displaying
|
Athletics - Comparing sail technique (long jump) and scissors technique (high jump)
|
By the end of the
lesson, the learner
should be able to:
- Compare the sail technique in long jump and scissors technique in high jump identifying similarities and differences. - Describe how the approach, take-off, flight and landing differ between the two events. - Value the role of technique in producing safe and effective athletic performance. |
In groups, learners are guided to:
- Review the key phases of both the sail technique and the scissors technique. - Create a comparison table in exercise books showing approach, take-off, flight and landing for each event. - Discuss which aspects of each technique contribute most to improved performance. |
How do the sail technique and the scissors technique differ and what do they have in common?
|
- Hummingbird Creative Arts Learner's Book pg. 98
- Self-assessment checklists - Exercise books |
- Written assignments
- Oral questions
|
|
| 3 | 2 |
Performing and Displaying
|
Athletics - Interclass competition applying both techniques
|
By the end of the
lesson, the learner
should be able to:
- Apply the sail technique in long jump and scissors technique in high jump in an interclass competition. - Record and compare performance measurements from the competition. - Display integrity and positive sportsmanship when sharing performance feedback. |
- Organise an interclass competition involving both long jump and high jump.
- Apply sail technique in long jump and scissors technique in high jump. - Record measurements, identify the learner with greatest jump, and appreciate each other's effort. |
Why is it important to maintain a consistent pace and apply correct technique during an athletics competition?
|
- Hummingbird Creative Arts Learner's Book pg. 99
- Long jump runway and sandpit - High jump bar, uprights and landing mat |
- Observation
- Written assignments
|
|
| 3 | 3 |
Performing and Displaying
|
Descant Recorder - Understanding the Baroque fingering chart and recorder hygiene
|
By the end of the
lesson, the learner
should be able to:
- Observe and interpret the Baroque fingering chart for notes C D E F G A B C' D'. - Demonstrate correct posture and hand position when holding the descant recorder. - Appreciate the importance of hygiene measures in the shared use and care of the recorder. |
In groups, learners are guided to:
- Study the Baroque fingering chart and practise covering and uncovering holes correctly. - Demonstrate correct sitting or standing posture and hand position (left hand on top, right hand on bottom). - Discuss hygiene measures: wipe mouthpiece before and after use, do not share the recorder. |
How does correct posture and proper hygiene contribute to good recorder playing?
|
- Hummingbird Creative Arts Learner's Book pg. 100
- Descant recorders - Baroque fingering chart |
- Observation
- Oral questions
|
|
| 3 | 4 |
Performing and Displaying
|
Descant Recorder - Playing notes C D E F G A B C' D' individually
|
By the end of the
lesson, the learner
should be able to:
- Identify the correct finger position for each note (C D E F G A B C' D') from the Baroque fingering chart. - Play each note individually using correct fingering and the "tu" tonguing technique to produce a clear tone. - Develop accuracy in producing a clear and steady tone for each note on the recorder. |
In groups, learners are guided to:
- Practise fingering each note individually using the Baroque chart as reference. - Apply the tonguing technique to start each note by saying "tu" softly. - Focus on producing a clear, steady tone for each note and correct any gaps in finger coverage. |
How does correct fingering and tonguing technique help produce a clear tone on the recorder?
|
- Hummingbird Creative Arts Learner's Book pg. 100
- Descant recorders - Baroque fingering chart |
- Observation
- Oral questions
|
|
| 3 | 5 |
Performing and Displaying
|
Descant Recorder - Playing notes C–D' ascending and descending as a scale
|
By the end of the
lesson, the learner
should be able to:
- Identify the correct fingering sequence for the ascending (C–D') and descending (D'–C) scale before playing. - Play the C–D' scale ascending and descending with accurate fingering, producing a smooth and even tone. - Show confidence in playing the full range scale individually and in a group. |
In groups, learners are guided to:
- Practise playing the notes ascending: C D E F G A B C' D'. - Practise playing the notes descending: D' C' B A G F E D C. - Play the ascending and descending scale together as a group, focusing on evenness of tempo and clarity of tone. |
How does practising a scale ascending and descending build fluency on the recorder?
|
- Hummingbird Creative Arts Learner's Book pg. 101
- Descant recorders - Baroque fingering chart |
- Observation
- Oral questions
|
|
| 3 | 6 |
Performing and Displaying
|
Descant Recorder - Playing notes ascending and descending in pairs and groups
|
By the end of the
lesson, the learner
should be able to:
- Identify the notes in the C–D' scale and confirm correct fingering before playing as a group. - Play the C–D' scale ascending and descending in pairs and as a full group, maintaining steady tempo and synchrony. - Appreciate the importance of listening to fellow players to stay in time. |
In groups, learners are guided to:
- Practise playing the scale in pairs, listening carefully to each other. - Play ascending and descending in a group, with the teacher or a leader keeping the beat. - Start slowly and gradually increase speed as comfort with the fingerings improves. |
Why is listening to fellow musicians important when playing in a group?
|
- Hummingbird Creative Arts Learner's Book pg. 101
- Descant recorders |
- Observation
- Oral questions
|
|
| 4 | 1 |
Performing and Displaying
|
Descant Recorder - Playing short melodies within the range of C–D'
|
By the end of the
lesson, the learner
should be able to:
- Identify the notes and rhythmic patterns in a given melody score before playing. - Play given short melodies within the C–D' range on the recorder by following the letter notation and note symbols. - Show interest in playing melodies accurately and musically on the recorder. |
- Study the melodies given in the learner's book using letter notation.
- Follow along with the teacher or a resource person as the melodies are played step by step. - Focus on playing each note clearly and maintaining a steady rhythm throughout each melody. |
How does reading melody notation help a player perform a piece accurately on the recorder?
|
- Hummingbird Creative Arts Learner's Book pg. 101
- Descant recorders - Melody score sheets |
- Observation
- Oral questions
|
|
| 4 | 2 |
Performing and Displaying
|
Descant Recorder - Playing short melodies within the range of C–D'
|
By the end of the
lesson, the learner
should be able to:
- Identify the notes and rhythmic patterns in a given melody score before playing. - Play given short melodies within the C–D' range on the recorder by following the letter notation and note symbols. - Show interest in playing melodies accurately and musically on the recorder. |
- Study the melodies given in the learner's book using letter notation.
- Follow along with the teacher or a resource person as the melodies are played step by step. - Focus on playing each note clearly and maintaining a steady rhythm throughout each melody. |
How does reading melody notation help a player perform a piece accurately on the recorder?
|
- Hummingbird Creative Arts Learner's Book pg. 101
- Descant recorders - Melody score sheets |
- Observation
- Oral questions
|
|
| 4 | 3 |
Performing and Displaying
|
Descant Recorder - Practising melodies and applying playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify one specific aspect of the melody (accuracy, tone or rhythm) to focus on improving during practice. - Practise the selected melody applying correct posture, fingering, tonguing and breathing throughout. - Develop patience and perseverance in practising a melody to a performance standard. |
In groups, learners are guided to:
- Choose a melody and practise it several times focusing on accuracy and clear tone. - Apply all playing techniques: correct posture, proper fingering, "tu" tonguing and steady breath. - Present the melody to a small group and receive feedback for improvement. |
What playing techniques must a recorder player consistently apply to improve melody performance?
|
- Hummingbird Creative Arts Learner's Book pg. 106
- Descant recorders - Melody score sheets |
- Observation
- Portfolio
|
|
| 4 | 4 |
Performing and Displaying
|
Descant Recorder - Searching for and learning from video recordings of recorder melodies
|
By the end of the
lesson, the learner
should be able to:
- Use the internet to find and watch videos of recorder players performing melodies using C–D' range notes. - Identify finger positions, tonguing and posture from video observations and note at least two techniques to apply. - Appreciate how observing skilled players online can accelerate improvement in own recorder playing. |
In groups, learners are guided to:
- Search for videos of recorder players performing melodies using the notes C D E F G A B C' D'. - Watch carefully and note the finger positions, tonguing and posture of the players. - Take notes on tips or techniques observed and apply them during the next practice session. |
How can watching skilled recorder players online help improve your own technique?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Digital devices - Internet access |
- Observation
- Written assignments
|
|
| 4 | 5 |
Performing and Displaying
|
Descant Recorder - Listening to and learning the melody of the Kenya National Anthem
|
By the end of the
lesson, the learner
should be able to:
- Identify the notes used in the main melody of the Kenya National Anthem: E G A B C' D'. - Sing the first verse of the anthem in English and Kiswahili while clapping the rhythm. - Appreciate the cultural and civic significance of the Kenya National Anthem. |
In groups, learners are guided to:
- Listen to the melody of the Kenya National Anthem with the teacher's guidance. - Sing the first verse in both English and Kiswahili and clap the rhythm. - Refer to the fingering chart and familiarise with the anthem notes: E, G, A, B, C', D'. |
Why is it important for every Kenyan to know and be able to perform the National Anthem?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Descant recorders - Kenya National Anthem score |
- Oral questions
- Observation
|
|
| 4 | 6 |
Performing and Displaying
|
Descant Recorder - Playing the main melody of the Kenya National Anthem on the recorder
|
By the end of the
lesson, the learner
should be able to:
- Identify the notes used in the main melody of the Kenya National Anthem (E G A B C' D') and confirm fingering before playing. - Play the main melody of the Kenya National Anthem on the recorder with accurate fingering and a steady, dignified tempo. - Show respect and patriotism through careful and accurate performance of the national anthem. |
In groups, learners are guided to:
- Practise playing the anthem notes (E G A B C' D') individually to confirm fingering. - Play the full melody of the Kenya National Anthem slowly and steadily. - Practise together as a group, maintaining synchrony and producing a clear, dignified tone. |
How does playing the Kenya National Anthem on the recorder show respect for national identity?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Descant recorders - Kenya National Anthem score |
- Observation
- Oral questions
|
|
| 5 | 1 |
Performing and Displaying
|
Descant Recorder - Group performance of the Kenya National Anthem and melody presentation
|
By the end of the
lesson, the learner
should be able to:
- Identify the playing techniques to apply during the group performance: posture, fingering, tonguing, rhythm and hygiene. - Perform the Kenya National Anthem and a chosen melody as a group before classmates and respond to feedback. - Value the role of rehearsal and feedback in improving musical performance. |
In groups, learners are guided to:
- Rehearse the Kenya National Anthem and a chosen melody as a group. - Perform before the class applying correct posture, fingering, tonguing and rhythm. - Listen to positive feedback from classmates and identify one area each player will improve. |
How does presenting a performance before an audience improve a musician's confidence and skill?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Descant recorders |
- Observation
- Oral questions
|
|
| 5 | 2 |
Performing and Displaying
|
Descant Recorder - Selecting and presenting individual recorder melodies
|
By the end of the
lesson, the learner
should be able to:
- Identify the melody to perform and confirm all fingerings are secure before the individual performance. - Select and perform a chosen melody confidently on the recorder, demonstrating consistency in fingering, tonguing, posture and rhythm. - Appreciate peers' performances through specific, polite and constructive feedback. |
- Each learner selects a melody they feel comfortable playing and presents it individually.
- The class observes and gives specific feedback on tone, fingering and rhythm. - Reflect on the feedback received and plan how to incorporate it into future practice. |
What does a polished individual recorder performance show about a learner's musical growth?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Descant recorders |
- Observation
- Portfolio
|
|
| 5 | 3 |
Performing and Displaying
|
Descant Recorder - Reviewing recorder notes, techniques and performances
|
By the end of the
lesson, the learner
should be able to:
- Recall and play notes C–D' ascending and descending from memory. - Summarise the playing techniques (posture, fingering, tonguing, hygiene) applied throughout the sub-strand. - Reflect on personal progress and set goals for further recorder practice. |
- Play the C–D' scale ascending and descending as a class review.
- Discuss and summarise all playing techniques covered: posture, fingering, tonguing and hygiene. - Each learner shares one thing they improved and one thing they still want to practise. |
How have your recorder playing skills grown and what will you continue to practise?
|
- Hummingbird Creative Arts Learner's Book pg. 100
- Descant recorders |
- Oral questions
- Self-assessment worksheet
|
|
| 5 | 4 |
Performing and Displaying
|
Descant Recorder - Recorder performance and peer assessment
|
By the end of the
lesson, the learner
should be able to:
- Identify the agreed assessment criteria (tone, fingering accuracy, rhythm, posture, hygiene) before the performance session. - Perform the Kenya National Anthem or a chosen melody with confidence and assess own and peers' performances. - Develop a positive and encouraging attitude towards musical performance. |
- Organise a recorder performance session where each learner or group plays a chosen piece.
- Use an agreed checklist to assess tone, accuracy, rhythm, posture and hygiene. - Share feedback politely and celebrate individual and group progress. |
How does peer assessment during a performance help musicians grow?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Descant recorders - Peer assessment checklist |
- Observation
- Checklist
|
|
| 5 | 5 |
Performing and Displaying
|
Descant Recorder - Extended practice: searching videos and playing Baroque repertoire
|
By the end of the
lesson, the learner
should be able to:
- Search for and watch online performances of Baroque recorder repertoire using the C–D' range. - Play a short passage on the recorder immediately after watching, deliberately applying one technique observed in the video. - Appreciate how studying skilled performers through video inspires and improves own musical development. |
In groups, learners are guided to:
- Search online for recorder performances using the notes C D E F G A B C' D'. - Identify finger positions, tonguing patterns and posture from the video. - Choose one melody from the videos to learn and practise during the session. |
How does exposure to skilled recorder performances inspire and improve a learner's own playing?
|
- Hummingbird Creative Arts Learner's Book pg. 106
- Digital devices, internet access - Descant recorders |
- Observation
- Oral questions
|
|
| 5 | 6 |
Performing and Displaying
|
Descant Recorder - Recorder hygiene, maintenance and end-of-sub-strand review
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct cleaning and storage of the descant recorder after use. - Review all notes, melodies and the Kenya National Anthem covered in the sub-strand. - Appreciate the importance of hygiene and care in maintaining a musical instrument. |
In groups, learners are guided to:
- Demonstrate how to clean the mouthpiece, joint and bore of the recorder after playing. - Review all notes C–D' scale, short melodies and the Kenya National Anthem in a group play-through. - Discuss the importance of recorder hygiene in preventing communicable diseases. |
Why are hygiene and proper care of the recorder as important as playing technique?
|
- Hummingbird Creative Arts Learner's Book pg. 100
- Descant recorders - Cleaning cloth, disinfectant wipes |
- Observation
- Oral questions
|
|
| 6 | 1 |
Performing and Displaying
|
Descant Recorder - End-of-sub-strand recorder performance and assessment
|
By the end of the
lesson, the learner
should be able to:
- Identify all playing techniques to demonstrate during the assessment: posture, fingering, tonguing, rhythm and hygiene. - Perform the Kenya National Anthem and a chosen melody for end-of-sub-strand assessment applying all techniques consistently. - Reflect on overall recorder learning and set personal goals for continued musical development. |
In groups, learners are guided to:
- Perform the Kenya National Anthem and a chosen melody as a final assessment performance. - Use an observation checklist to evaluate posture, fingering, tone, rhythm and hygiene. - Share reflections on what was learnt and what aspects of recorder playing to develop further. |
What does a confident, accurate recorder performance say about a learner's musical commitment?
|
- Hummingbird Creative Arts Learner's Book pg. 107
- Descant recorders - Performance checklist |
- Observation
- Portfolio
|
|
| 6 | 2 |
Performing and Displaying
|
Swimming - Understanding breaststroke body position in swimming
|
By the end of the
lesson, the learner
should be able to:
- Describe the correct body position for breaststroke: head down, body horizontal, arms and legs extended. - Demonstrate the breaststroke body position on the pool edge or in shallow water under teacher supervision. - Appreciate swimming skills as essential life and survival skills. |
In groups, learners are guided to:
- Watch video clips of breaststroke swimming technique using digital devices or observe swimmers at a local pool. - Study the breaststroke body position: lying horizontally, head facing down, body flat and streamlined. - Discuss how the body position in breaststroke differs from front crawl learnt in the previous grade. |
Why are swimming skills considered essential survival skills?
|
- Hummingbird Creative Arts Learner's Book pg. 126
- Digital devices - Swimming pool |
- Oral questions
- Observation
|
|
| 6 | 3 |
Performing and Displaying
|
Swimming - Understanding breaststroke body position in swimming
|
By the end of the
lesson, the learner
should be able to:
- Describe the correct body position for breaststroke: head down, body horizontal, arms and legs extended. - Demonstrate the breaststroke body position on the pool edge or in shallow water under teacher supervision. - Appreciate swimming skills as essential life and survival skills. |
In groups, learners are guided to:
- Watch video clips of breaststroke swimming technique using digital devices or observe swimmers at a local pool. - Study the breaststroke body position: lying horizontally, head facing down, body flat and streamlined. - Discuss how the body position in breaststroke differs from front crawl learnt in the previous grade. |
Why are swimming skills considered essential survival skills?
|
- Hummingbird Creative Arts Learner's Book pg. 126
- Digital devices - Swimming pool |
- Oral questions
- Observation
|
|
| 6 | 4 |
Performing and Displaying
|
Swimming - Demonstrating breaststroke arm action and breathing technique
|
By the end of the
lesson, the learner
should be able to:
- Describe the circular arm action sequence (palms out, sweep inward and downward, recover forward) before demonstrating. - Demonstrate the breaststroke arm action and breathing pattern (inhale as head rises, exhale as head submerges). - Appreciate the importance of observing all safety precautions to ensure a safe swimming environment. |
In groups, learners are guided to:
- Demonstrate the arm action: turn palms outward, sweep arms in a circular motion inward and downward, then recover forward to streamlined position. - Demonstrate breathing: inhale as head rises, exhale underwater, and empty lungs before the head comes up. - Observe safety measures: warm up before entering the pool, no running on the pool deck, no food or drinks at the pool. |
How does coordinating arm action with breathing help a swimmer perform breaststroke efficiently?
|
- Hummingbird Creative Arts Learner's Book pg. 127
- Swimming pool - Floaters (optional) |
- Observation
- Skill progression charts
|
|
| 6 | 5 |
Performing and Displaying
|
Swimming - Demonstrating breaststroke leg action
|
By the end of the
lesson, the learner
should be able to:
- Describe the breaststroke leg action sequence before attempting: rotate ankles, bend knees, extend legs to the side then straight out. - Demonstrate and perform the full leg kick sequence with toes pointed at the end of the extension. - Appreciate the importance of observing safety precautions during all pool-side and in-water practice. |
In groups, learners are guided to:
- Demonstrate the leg action step by step: rotate ankles outward, bend knees bringing feet towards the body, extend to the side then straight out. - Sit on the pool edge with legs over the water and practise the leg kick action. - Enter the water and hold the rail while practising the full leg kick action. |
How does the breaststroke leg kick contribute to forward propulsion in the water?
|
- Hummingbird Creative Arts Learner's Book pg. 127
- Swimming pool - Pool rail |
- Observation
- Skill progression charts
|
|
| 6 | 6 |
Performing and Displaying
|
Swimming - Practising breaststroke body position, arm action and leg kick
|
By the end of the
lesson, the learner
should be able to:
- Identify which breaststroke component (body position, arm action, leg kick or breathing) needs most attention before the practice session. - Practise the full breaststroke by holding a floater for leg action, then swimming the full stroke unaided across the pool. - Appreciate the value of self-observation and teacher feedback in identifying and correcting technique errors. |
In groups, learners are guided to:
- From the streamlined position at the pool edge, practise arm action, breathing and leg action in sequence. - Hold a floater and swim across the pool width focusing on leg action. - Swim the full breaststroke across the pool width applying all three components together. |
How does combining body position, arm action and leg kick produce a complete breaststroke?
|
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool - Floaters |
- Observation
- Skill progression charts
|
|
| 7 | 1 |
Performing and Displaying
|
Swimming - Practising breaststroke in pairs with peer observation
|
By the end of the
lesson, the learner
should be able to:
- Swim the full breaststroke while a partner observes and gives feedback. - Identify specific strengths and weaknesses in a partner's arm movement, leg movement and breathing. - Show positive sportsmanship and encouragement when giving and receiving swimming feedback. |
In groups, learners are guided to:
- Pair up and take turns swimming the full breaststroke while the partner watches from the pool side. - Observe partner's arm movement, leg movement, breathing and glide position. - Share observations politely and use feedback to make adjustments in the next attempt. |
How does peer observation during swimming practice help a learner improve breaststroke technique?
|
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool |
- Observation
- Oral questions
|
|
| 7 | 2 |
Performing and Displaying
|
Swimming - Practising breaststroke in a relay game set-up
|
By the end of the
lesson, the learner
should be able to:
- Identify the relay rules and the correct breaststroke technique points to apply before the relay game begins. - Apply breaststroke technique correctly while competing in the relay game across the pool. - Display team spirit, fair play and respect for other swimmers throughout the relay. |
- Divide the class into relay teams.
- Each team member swims one width of the pool using breaststroke before the next member starts. - Ensure all learners apply correct body position, arm action, leg kick and breathing during the relay. |
How does applying breaststroke in a relay game build both skill and teamwork?
|
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool |
- Observation
- Checklist
|
|
| 7 | 3 |
Performing and Displaying
|
Swimming - Applying breaststroke across the pool and self-assessment
|
By the end of the
lesson, the learner
should be able to:
- Identify the breaststroke components to demonstrate before swimming across the pool for assessment. - Swim across the pool using breaststroke and complete the self-assessment checklist for body position, arm action and leg kick. - Reflect on personal water confidence and set goals for further swimming development. |
In groups, learners are guided to:
- Swim across the pool width using breaststroke individually and as part of a team game. - Complete the self-assessment checklist: body position, arm action, single hand dig pass (checklist item), full breaststroke. - Discuss what aspects of breaststroke feel most natural and what still needs more practice. |
How does completing a self-assessment checklist help a swimmer track and improve performance?
|
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool - Self-assessment checklist |
- Self-assessment worksheet
- Observation
|
|
| 7 | 4 |
Performing and Displaying
|
Swimming - Reviewing breaststroke technique and consolidating swimming skills
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the full breaststroke technique with consistent body position, arm action, leg kick and breathing. - Recall key safety precautions for all swimming activities. - Appreciate swimming as a life skill and survival skill. |
In groups, learners are guided to:
- Swim the full breaststroke across the pool as a final review, applying all techniques. - Discuss and recall all safety precautions: warm up before swimming, no running on pool deck, no food or drinks poolside. - Share reflections on personal growth in water confidence and swimming skill. |
Why is breaststroke considered both an athletic skill and a survival skill?
|
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool |
- Observation
- Oral questions
|
|
| 7 | 5 |
Performing and Displaying
|
Swimming - Extended breaststroke practice and relay competition
|
By the end of the
lesson, the learner
should be able to:
- Identify the technique points that most need attention during extended distance swimming before beginning. - Perform breaststroke over an extended distance and participate in a relay competition applying correct technique. - Value team spirit and fair play during competitive swimming activities. |
In groups, learners are guided to:
- Swim increasing distances using breaststroke, building endurance alongside technique. - Organise a relay competition across the pool — each member swims one full width before tagging the next. - Celebrate effort, fair play and improvement throughout the relay competition. |
How does increasing swimming distance help build both physical endurance and technique confidence?
|
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool |
- Observation
- Checklist
|
|
| 7 | 6 |
Performing and Displaying
|
Swimming - Observing peer breaststroke performance and giving feedback
|
By the end of the
lesson, the learner
should be able to:
- Identify the four observation criteria (body position, arm action, leg kick, breathing) before beginning peer observation. - Systematically observe a peer's breaststroke and write specific feedback on each of the four criteria in an observation sheet. - Develop the habit of reflective observation as a tool for improving both own and peers' athletic performance. |
- Each learner performs one width of breaststroke while a partner uses agreed criteria to observe.
- Focus feedback on four areas: body position, arm action, leg kick and breathing. - Discuss observations as a pair, agree on the most important area to improve and practise it immediately. |
How does giving structured feedback make you a better observer and a better swimmer?
|
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool - Observation checklist |
- Observation
- Oral questions
|
|
| 8 | 1 |
Performing and Displaying
|
Swimming - End-of-sub-strand: full breaststroke assessment in game set-up
|
By the end of the
lesson, the learner
should be able to:
- Identify all breaststroke components to demonstrate (body position, arm action, leg kick, breathing) before the assessment swim. - Swim the full breaststroke demonstrating all components and apply breaststroke correctly in a relay game. - Reflect on overall swimming learning and personal growth in water confidence throughout the sub-strand. |
In groups, learners are guided to:
- Swim the full breaststroke across the pool for end-of-sub-strand assessment. - Participate in a relay game applying breaststroke correctly. - Complete a reflection: describe one swimming technique mastered and one aspect still being developed. |
How has learning breaststroke improved your confidence and safety in the water?
|
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool - Assessment checklist |
- Observation
- Self-assessment worksheet
|
|
| 8 | 2 |
Performing and Displaying
|
Swimming - Performing breaststroke in a timed relay event
|
By the end of the
lesson, the learner
should be able to:
- Perform breaststroke in a timed relay event applying all correct techniques throughout. - Record each team's relay time and compare performance across teams. - Appreciate the role of team unity and sportsmanship in making a relay event enjoyable and fair for all. |
In groups, learners are guided to:
- Form relay teams and perform a timed breaststroke relay across the pool. - Record team times and compare performance. - Award recognition for effort, improvement and sportsmanship in addition to timing. |
How does competing in a timed relay motivate swimmers to apply correct technique consistently?
|
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool - Stopwatch |
- Observation
- Checklist
|
|
| 8 | 3 |
Performing and Displaying
|
Swimming - Peer teaching and consolidation of breaststroke technique
|
By the end of the
lesson, the learner
should be able to:
- Identify the correct terminology for all breaststroke components before peer-teaching begins. - Teach breaststroke technique steps to a peer using correct terminology and consolidate all components in a final practice swim. - Reflect on the value of swimming as both an athletic skill and an essential life and survival skill. |
- Pair learners at different skill levels; the more confident swimmer coaches the other on body position, arm action, leg kick and breathing.
- Swim the full breaststroke together applying all components. - Reflect: how has learning breaststroke prepared you for water emergencies? |
How does teaching a swimming technique to a peer deepen your own understanding of the skill?
|
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool |
- Observation
- Oral questions
|
|
| 8 | 4 |
Performing and Displaying
|
Swimming - Swimming endurance and technique consolidation
|
By the end of the
lesson, the learner
should be able to:
- Identify which breaststroke components to focus on maintaining as distance increases during the endurance challenge. - Swim increasing distances using breaststroke with consistent technique, applying all components without coaching prompts. - Value swimming endurance as both a fitness goal and an essential survival skill. |
In groups, learners are guided to:
- Set an endurance challenge: swim two or three widths of the pool using breaststroke continuously. - Focus on maintaining correct body position, arm action, leg kick and breathing throughout. - Debrief: discuss how improving breaststroke endurance connects to water safety and fitness. |
How does building swimming endurance alongside correct technique prepare a learner for real-life water situations?
|
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool |
- Observation
- Skill progression charts
|
|
| 8 | 5 |
Performing and Displaying
|
Swimming - Swimming endurance and technique consolidation
|
By the end of the
lesson, the learner
should be able to:
- Identify which breaststroke components to focus on maintaining as distance increases during the endurance challenge. - Swim increasing distances using breaststroke with consistent technique, applying all components without coaching prompts. - Value swimming endurance as both a fitness goal and an essential survival skill. |
In groups, learners are guided to:
- Set an endurance challenge: swim two or three widths of the pool using breaststroke continuously. - Focus on maintaining correct body position, arm action, leg kick and breathing throughout. - Debrief: discuss how improving breaststroke endurance connects to water safety and fitness. |
How does building swimming endurance alongside correct technique prepare a learner for real-life water situations?
|
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool |
- Observation
- Skill progression charts
|
|
| 8 | 6 |
Performing and Displaying
|
Swimming - Final relay race and swimming celebration
|
By the end of the
lesson, the learner
should be able to:
- Identify the relay rules and agree on team strategy before the final relay race begins. - Swim the final relay race applying breaststroke technique correctly and compete as a team with full effort. - Celebrate personal and group achievement and appreciate the progress made in breaststroke swimming. |
In groups, learners are guided to:
- Organise a final relay race as a celebration of the swimming sub-strand. - Each team member swims one width of the pool using correct breaststroke. - Celebrate participation and improvement; discuss how swimming skills can be maintained and developed outside school. |
Why is celebrating swimming achievement important for building long-term water confidence?
|
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool |
- Observation
- Checklist
|
|
| 9 | 1 |
Performing and Displaying
|
Swimming - End-of-strand review: Performing and Displaying
|
By the end of the
lesson, the learner
should be able to:
- Recall and describe key skills from Strand 2: sail technique, scissors technique, recorder notes C–D', Kenya National Anthem and breaststroke. - Demonstrate or describe one skill from each sub-strand (athletics, recorder, swimming) to a partner as a consolidation activity. - Appreciate the breadth of Performing and Displaying as a strand that integrates sport, music and water skills. |
- Review key learning from athletics (sail technique, scissors technique), descant recorder (notes C–D', Kenya National Anthem) and swimming (breaststroke technique).
- Each learner shares one skill they are most proud of from Strand 2. - Discuss how the skills of performing and displaying extend beyond the classroom. |
How have the skills you developed in Strand 2 prepared you to perform and display in different contexts?
|
- Hummingbird Creative Arts Learner's Book pg. 89, pg. 100, pg. 126
- Exercise books |
- Oral questions
- Written assignments
|
|
| 9 | 2 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Identifying categories of indigenous Kenyan instrumental ensembles
|
By the end of the
lesson, the learner
should be able to:
- Identify the four categories of indigenous Kenyan instrumental ensembles: percussion, wind, string and mixed. - Sort pictures of instruments into the correct ensemble categories and record names in a classification table. - Appreciate the diversity and richness of Kenyan indigenous musical traditions. |
In groups, learners are guided to:
- Watch video recordings of Kenyan indigenous ensemble performances and observe the instruments being played. - Discuss the four categories: percussion (struck/shaken/scraped), wind (blown), string (plucked/bowed/struck) and mixed. - Look at pictures of Kenyan ensembles and identify which category each belongs to. |
What makes indigenous Kenyan instrumental ensembles important to Kenyan cultural identity?
|
- Hummingbird Creative Arts Learner's Book pg. 108
- Digital devices - Video links to Kenyan ensemble performances |
- Oral questions
- Observation
|
|
| 9 | 3 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Classifying ensembles and reflecting on observations
|
By the end of the
lesson, the learner
should be able to:
- Classify observed indigenous Kenyan ensembles into percussion, wind and string categories based on playing method. - Draw and complete the classification table, listing instrument names under each category with examples. - Reflect on how watching and observing performances deepened understanding of ensemble categories. |
In groups, learners are guided to:
- Draw and complete the classification table: string, wind and percussion ensemble columns. - List the instruments observed in videos and pictures under the correct category. - Reflect: what new instruments were learnt and how did video observation help understand ensemble categories? |
How does classifying instruments into categories help a musician understand ensemble performance?
|
- Hummingbird Creative Arts Learner's Book pg. 109
- Classification table (exercise book) - Digital devices |
- Written assignments
- Oral questions
|
|
| 9 | 4 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Discussing factors to consider when playing in an ensemble
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the key factors for successful ensemble playing: instrument understanding, listening, timing, communication and cultural respect. - Discuss each factor in groups and role-play a short ensemble scenario demonstrating one factor (e.g. following the conductor). - Develop respect for fellow musicians and appreciation for teamwork in musical performance. |
In groups, learners are guided to:
- In groups, discuss why it is important to practise the instrument regularly and listen to fellow musicians. - Discuss why rhythm and timing, eye contact, and blending sound are essential in ensemble playing. - Reflect on why cultural understanding and following traditional ways of playing are important in indigenous ensembles. |
Why is it important to listen carefully to fellow musicians when playing in an ensemble?
|
- Hummingbird Creative Arts Learner's Book pg. 109
- Exercise books |
- Oral questions
- Written assignments
|
|
| 9 | 5 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Selecting and preparing an instrument; practising playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify the playing technique required for the chosen instrument (hitting, shaking, striking, plucking, bowing or blowing) before beginning. - Select and tune the instrument correctly with teacher guidance, then demonstrate the appropriate playing technique. - Appreciate the skill and cultural significance involved in correctly playing a Kenyan indigenous instrument. |
In groups, learners are guided to:
- Select an instrument from available indigenous Kenyan instruments (drums, marimba, shakers, nyatiti, fiddle, chivoti). - Learn to tune the instrument using tuning tools or reference tones. - Practise the correct playing technique for the instrument, focusing on control, clarity of sound and appropriate strength. |
How does mastering the correct playing technique for an instrument improve its contribution to an ensemble?
|
- Hummingbird Creative Arts Learner's Book pg. 110
- Indigenous instruments (drums, shakers, lyres, fiddles, flutes) - Tuning tools |
- Observation
- Skill progression charts
|
|
| 9 | 6 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Practising in groups and coordinating ensemble timing
|
By the end of the
lesson, the learner
should be able to:
- Identify the rhythm or piece to be played and agree on tempo and cue signals before the group practice begins. - Play the chosen instrument in a small group, maintaining rhythm and timing while adjusting volume to blend effectively. - Appreciate the collaborative nature of ensemble playing and demonstrate respect for others' musical contributions. |
- Form small groups with each learner playing a different instrument.
- Agree on a simple rhythm or piece and practise playing it together in sync. - Rotate instruments within the group so learners experience different types; sanitise wind instruments before passing on. |
How does listening to the overall ensemble sound help a musician adjust their own playing to blend better?
|
- Hummingbird Creative Arts Learner's Book pg. 110
- Indigenous instruments - Floor space for ensemble practice |
- Observation
- Oral questions
|
|
| 10 | 1 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Rehearsing and performing as a full ensemble
|
By the end of the
lesson, the learner
should be able to:
- Identify the sections of the piece that need the most rehearsal before beginning the full ensemble practice. - Play through the selected piece as a full ensemble, blending sounds and maintaining rhythm, melody and all ensemble factors. - Develop confidence and pride in performing as part of a Kenyan indigenous instrumental ensemble. |
In groups, learners are guided to:
- Rehearse the selected piece as a full ensemble with everyone playing their chosen instrument. - Focus on listening to the overall sound, blending individual contributions and maintaining a shared rhythm. - Practise until the ensemble sounds cohesive, then prepare for a final group performance. |
How does rehearsing together as a full ensemble develop musical unity and collective performance confidence?
|
- Hummingbird Creative Arts Learner's Book pg. 111
- Full set of available indigenous instruments |
- Observation
- Checklist
|
|
| 10 | 2 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Performing before an audience and reflecting
|
By the end of the
lesson, the learner
should be able to:
- Identify the performance expectations (rhythm, melody, blending, technique, cultural respect) before taking the stage. - Perform the selected piece as a full indigenous Kenyan ensemble before an audience, maintaining all technical and musical standards. - Reflect on ensemble playing and articulate what was learnt about collaboration and Kenyan musical heritage. |
In groups, learners are guided to:
- Perform the rehearsed piece as a full ensemble for the class or at a school event. - Pay attention to maintaining rhythm, melody, blending and technique throughout the performance. - Reflect in groups: what was enjoyed most, which aspect was most challenging and what was learnt about Kenyan indigenous music. |
What does a successful indigenous ensemble performance reveal about teamwork, culture and musical skill?
|
- Hummingbird Creative Arts Learner's Book pg. 112
- Full set of available indigenous instruments |
- Observation
- Oral questions
|
|
| 10 | 3 |
Performing and Displaying
|
Indigenous Kenyan Instrumental Ensembles - Reviewing ensemble factors and appreciating Kenyan musical heritage
|
By the end of the
lesson, the learner
should be able to:
- Review and describe all key ensemble factors through group discussion. - Demonstrate one ensemble technique (e.g. maintaining beat, blending volume) informally as part of the review activity. - Value the role of indigenous Kenyan instrumental music in preserving and celebrating Kenyan cultural identity. |
In groups, learners are guided to:
- Review the five ensemble factors discussed: understanding instrument, listening, rhythm and timing, communication and cultural understanding. - Discuss the role of indigenous Kenyan ensembles in community celebrations, ceremonies and cultural preservation. - Share one thing learnt about Kenyan cultural heritage through ensemble playing. |
How do indigenous Kenyan instrumental ensembles help communities preserve and celebrate their cultural heritage?
|
- Hummingbird Creative Arts Learner's Book pg. 113
- Exercise books |
- Oral questions
- Written assignments
|
|
| 10 | 4 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Identifying pottery items made using slab technique
|
By the end of the
lesson, the learner
should be able to:
- Identify pottery items made using slab technique and describe how slabs are scored, slip-joined and assembled. - Sketch a simple diagram of a slab-built item showing the base and side slabs and how they connect. - Appreciate pottery as an important indigenous Kenyan craft tradition with deep cultural roots. |
In groups, learners are guided to:
- Study pictures of pottery items made using slab technique and answer questions about the number of slabs and joining methods. - Discuss what techniques (burnishing, stamping) were used to add texture and detail. - Identify how slab technique differs from other pottery methods previously encountered. |
How does the slab technique allow a potter to create functional and decorative pottery items?
|
- Hummingbird Creative Arts Learner's Book pg. 116
- Pictures of slab pottery items - Digital devices |
- Oral questions
- Observation
|
|
| 10 | 5 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Finding, preparing and kneading clay
|
By the end of the
lesson, the learner
should be able to:
- Identify local sources of clay (anthills, riverbanks) and the safety equipment needed for collection. - Prepare clay through the full sequence: dry, crush, sieve, slake with water, drain and knead until smooth. - Appreciate the importance of collecting clay responsibly and observing safety precautions to protect the environment and self. |
In groups, learners are guided to:
- Identify local sources of clay (anthills, riverbanks) and collect only what is needed with adult supervision. - Prepare the clay: dry, crush, sieve, slake with water, drain excess water through cloth and knead on a flat surface. - Wedge the clay by cutting and slamming pieces together to remove air bubbles and achieve a smooth, even texture. |
How does thorough preparation of clay before modelling affect the quality of the finished pottery item?
|
- Hummingbird Creative Arts Learner's Book pg. 119
- Clay from local environment - Gumboots, gloves, rolling pin, hammer |
- Observation
- Checklist
|
|
| 10 | 6 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Finding, preparing and kneading clay
|
By the end of the
lesson, the learner
should be able to:
- Identify local sources of clay (anthills, riverbanks) and the safety equipment needed for collection. - Prepare clay through the full sequence: dry, crush, sieve, slake with water, drain and knead until smooth. - Appreciate the importance of collecting clay responsibly and observing safety precautions to protect the environment and self. |
In groups, learners are guided to:
- Identify local sources of clay (anthills, riverbanks) and collect only what is needed with adult supervision. - Prepare the clay: dry, crush, sieve, slake with water, drain excess water through cloth and knead on a flat surface. - Wedge the clay by cutting and slamming pieces together to remove air bubbles and achieve a smooth, even texture. |
How does thorough preparation of clay before modelling affect the quality of the finished pottery item?
|
- Hummingbird Creative Arts Learner's Book pg. 119
- Clay from local environment - Gumboots, gloves, rolling pin, hammer |
- Observation
- Checklist
|
|
| 11 | 1 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Rolling slabs and measuring and cutting clay pieces
|
By the end of the
lesson, the learner
should be able to:
- Identify the required dimensions for the base and side slabs of the vase before rolling and cutting. - Roll clay into evenly-thick slabs using a rolling pin and wood guides, then measure, mark and cut to correct dimensions. - Develop precision and patience in preparing clay slabs for construction. |
In groups, learners are guided to:
- Use a rolling pin and flat wood pieces to roll the prepared clay into even slabs. - Ensure all slabs are the same thickness for uniform construction. - Measure, mark and cut the slabs to the correct dimensions for the base and sides of the vase. |
How does rolling clay to an even thickness ensure the structural strength of a slab-built vase?
|
- Hummingbird Creative Arts Learner's Book pg. 119
- Prepared clay - Rolling pin, flat wood pieces, ruler, knife |
- Observation
- Checklist
|
|
| 11 | 2 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Joining slabs to form a vase
|
By the end of the
lesson, the learner
should be able to:
- Identify the scoring and slip-joining technique and explain why it creates a stronger bond than pressing slabs directly together. - Score the edges, apply slip and attach the side slabs to the base, pressing firmly to form the vase body. - Appreciate the importance of care and precision in forming a vase that is both structurally sound and aesthetically pleasing. |
In groups, learners are guided to:
- Use a toothpick or pointed tool to score the edges of slabs where they will be joined. - Mix clay with water to make slip and apply it to the scored edges as adhesive. - Attach the sides to the base, pressing firmly, and smooth the interior joins with a finger or tool. |
Why is scoring and applying slip essential for creating strong joins in slab-built pottery?
|
- Hummingbird Creative Arts Learner's Book pg. 120
- Cut clay slabs - Toothpick, slip (clay and water mix) |
- Observation
- Project
|
|
| 11 | 3 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Burnishing and stamping patterns on the vase
|
By the end of the
lesson, the learner
should be able to:
- Identify what burnishing achieves (smooth, shiny surface) and select appropriate stamps for the decorative pattern before beginning. - Burnish the vase surface using a smooth stone in circular motions and stamp decorative patterns using chosen stamps. - Appreciate how burnishing and stamping combine functional finishing with artistic expression in indigenous craft. |
In groups, learners are guided to:
- Moisten the vase slightly if too dry, then burnish the surface using a smooth stone in circular motions until shiny. - Create or find stamps (carved wood, pen tubes, leaves) and press them into the surface of the vase. - Arrange the stamps in a creative pattern, experimenting with different designs and spacing. |
How does burnishing and stamping add both functional and aesthetic value to a pottery item?
|
- Hummingbird Creative Arts Learner's Book pg. 122
- Smooth stone or spoon - Stamps (carved wood, pen tubes, leaves) |
- Observation
- Project
|
|
| 11 | 4 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Drying the vase and appreciating indigenous Kenyan craft
|
By the end of the
lesson, the learner
should be able to:
- Identify the correct drying conditions (shaded area, away from sunlight, slow drying) and explain why they prevent cracking. - Position the vase in the correct drying location and arrange all completed pottery items neatly in the classroom display area. - Appreciate pottery as a significant indigenous Kenyan craft and a powerful form of cultural expression. |
In groups, learners are guided to:
- Place the vase in a shaded area away from direct sunlight and allow it to dry slowly over several days. - Check periodically to ensure it is drying evenly without cracking. - Arrange completed vases for classroom display and talk about the materials, techniques and steps used. |
Why is drying pottery slowly in the shade important for preventing cracking and preserving the item?
|
- Hummingbird Creative Arts Learner's Book pg. 123
- Completed decorated vases - Display area |
- Observation
- Oral questions
|
|
| 11 | 5 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Displaying pottery and giving constructive peer critique
|
By the end of the
lesson, the learner
should be able to:
- Describe the full construction process (finding clay, preparing, rolling, joining, burnishing, stamping, drying) before the display. - Display completed pottery items and give and receive constructive feedback on shape, surface finish and pattern design. - Value indigenous Kenyan pottery as a creative, cultural and functional art form. |
In groups, learners are guided to:
- Arrange all completed pottery items in a classroom display area. - Describe own item: materials sourced, slab preparation, joining method, burnishing and stamping choices. - Give specific feedback to classmates on what was admired, what technique was creative and suggestions for improvement. |
What makes a slab-technique pottery item successful and how does peer critique help a potter grow?
|
- Hummingbird Creative Arts Learner's Book pg. 123
- Completed pottery items |
- Observation
- Oral questions
|
|
| 11 | 6 |
Performing and Displaying
|
Indigenous Kenyan Craft - Pottery - Talking about own and others' pottery and reflecting on indigenous craft
|
By the end of the
lesson, the learner
should be able to:
- Describe the steps taken to create the pottery item including materials, techniques and challenges encountered. - Reflect on the cultural significance of pottery as an indigenous Kenyan craft. - Develop pride in creating an item that connects to Kenyan cultural heritage. |
In groups, learners are guided to:
- Present own pottery item and describe: materials sourced and prepared, slab technique steps, burnishing and stamping. - Discuss challenges faced (air bubbles, uneven slabs, cracking) and how they were overcome. - Reflect on why pottery is valued as an indigenous Kenyan craft and how it can be preserved for future generations. |
How does creating indigenous craft like pottery connect a learner to Kenyan cultural heritage?
|
- Hummingbird Creative Arts Learner's Book pg. 124
- Completed pottery items |
- Written assignments
- Portfolio
|
|
| 12 | 1 |
Appreciation in Creative Arts
|
Analysis of Creative Arts Works - Visiting an art exhibition centre and identifying artworks
Analysis of Creative Arts Works - Interpreting artworks and reflecting for inspiration |
By the end of the
lesson, the learner
should be able to:
- Identify different artworks on display during a local or virtual art gallery visit. - Record key details about at least three artworks: artist's name, type of artwork and one personal observation. - Appreciate the role of art exhibitions in preserving and sharing creative heritage. |
In groups, learners are guided to:
- Visit a local art gallery or museum, or explore virtual art galleries online. - Observe paintings, sculptures and photographs on display closely. - Take notes recording the artist's name and the type of artwork for each piece observed. |
How do art exhibitions help communities appreciate and preserve creative works?
|
- Hummingbird Creative Arts Learner's Book pg. 137
- Local art gallery or virtual gallery online - Exercise books, pencils - Hummingbird Creative Arts Learner's Book pg. 138 - Artworks from gallery visit or own collection - Exercise books |
- Oral questions
- Observation
|
|
| 12 | 2 |
Appreciation in Creative Arts
|
Analysis of Creative Arts Works - Visiting an art exhibition and creating a catalogue of exhibited works
Analysis of Creative Arts Works - Designing and completing an artwork catalogue |
By the end of the
lesson, the learner
should be able to:
- Conduct a field trip to a local or virtual art exhibition and systematically observe displayed artworks. - Record detailed information for each artwork (artist's name, type and media/material) and organise it into a structured catalogue. - Appreciate the importance of systematic documentation in preserving and sharing knowledge about creative works. |
In groups, learners are guided to:
- Visit a local or virtual art gallery and observe a range of artworks (paintings, sculptures, photographs). - For each artwork record: artist's name, type of artwork and media/material used. - Begin organising the notes into a catalogue — arranged neatly in a booklet or digital document. |
What information must be captured in an artwork catalogue and why does each detail matter?
|
- Hummingbird Creative Arts Learner's Book pg. 137
- Local art gallery or virtual gallery - Exercise books or digital devices - Field trip notes - Exercise books, pens or digital devices |
- Written assignments
- Observation
|
|
| 12 | 3 |
Appreciation in Creative Arts
|
Analysis of Creative Arts Works - Choosing and analysing a personal artwork from the catalogue
Analysis of Creative Arts Works - Listening to a song and identifying pitch in music |
By the end of the
lesson, the learner
should be able to:
- Identify which artwork from the catalogue has the most interesting combination of type, materials and meaning before analysing. - Conduct a full analysis of the selected artwork covering type, materials, techniques, meaning and aesthetic value, and write a personal reflection. - Show appreciation for the diverse artistic techniques and cultural backgrounds represented in the collected artworks. |
In groups, learners are guided to:
- Choose a favourite artwork from the personal catalogue. - Analyse it using five questions: type of art, materials used, techniques applied, meaning and aesthetic appeal. - Write a personal reflection and share it with the class, explaining why the artwork was chosen and what it inspires. |
How does a full analysis of one artwork help a learner understand and appreciate the creative process?
|
- Hummingbird Creative Arts Learner's Book pg. 138
- Personal artwork catalogue - Exercise books - Hummingbird Creative Arts Learner's Book pg. 144 - Digital devices - "Earth Song" (Michael Jackson) — audio/video |
- Written assignments
- Portfolio
|
|
| 12 | 4 |
Appreciation in Creative Arts
|
Analysis of Creative Arts Works - Identifying melody and rhythm in a song
Analysis of Creative Arts Works - Identifying dynamics and tempo in a song |
By the end of the
lesson, the learner
should be able to:
- Define melody as the main tune of a song and describe how the melody in "Earth Song" changes between verse and chorus. - Define rhythm as the pattern of beats and clap the steady beat of "Earth Song" while discussing how it matches the song's serious message. - Appreciate how melody and rhythm work together to give a song emotional depth and communicative power. |
In groups, learners are guided to:
- Hum the melody of the verse and the chorus of "Earth Song" and discuss how the melody changes between the two sections. - Clap along to the rhythm of the verses and the chorus and identify the steady beat pattern. - Discuss how the calm, steady verse rhythm and the more powerful chorus rhythm match the song's serious environmental message. |
How do melody and rhythm work together to strengthen the message of a song?
|
- Hummingbird Creative Arts Learner's Book pg. 144
- Digital devices - "Earth Song" lyrics sheet - "Earth Song" audio |
- Oral questions
- Observation
|
|
| 12 | 5 |
Appreciation in Creative Arts
|
Analysis of Creative Arts Works - Identifying texture, structure, messages and values in a song
|
By the end of the
lesson, the learner
should be able to:
- Describe texture as the layers of sound heard at once and identify the homophonic texture in "Earth Song". - Listen to "Earth Song" and map its AB/ABA structure by labelling verses and choruses as they are heard, then discuss how the structure supports the message. - Identify the environmental message and values in "Earth Song" and relate them to real-life concerns about the planet. |
In groups, learners are guided to:
- Listen to "Earth Song" and identify the different layers of sound (voice, instruments, backing vocals) and discuss how they create texture. - Identify the verses and choruses and discuss how the ABA structure develops and reinforces the song's plea. - Discuss the message about protecting the Earth and the values of responsibility and care for the environment it promotes. |
How do texture, structure and message work together in a song to convey important values?
|
- Hummingbird Creative Arts Learner's Book pg. 145
- Digital devices - "Earth Song" audio and lyrics |
- Written assignments
- Oral questions
|
|
| 12 | 6 |
Appreciation in Creative Arts
|
Analysis of Creative Arts Works - Discussing messages and values in songs and connecting music to life
|
By the end of the
lesson, the learner
should be able to:
- Identify the message of patriotism and national unity in "Daima Mimi Mkenya" and discuss the values the lyrics promote. - Choose a song, listen to it and write down its key message and values, then present the findings to the class. - Appreciate how songs carry important values that connect to personal experiences and shape cultural identity. |
In groups, learners are guided to:
- Listen to "Daima Mimi Mkenya" by Eric Wainaina, read through the lyrics and identify its message of patriotism and national identity. - In groups choose other songs and discuss the messages and values they communicate. - Connect the message of a chosen song to a personal experience, share the story and reflect on how music relates to daily life. |
How do songs carry messages and values that connect to the experiences of everyday life?
|
- Hummingbird Creative Arts Learner's Book pg. 145
- Digital devices - "Daima Mimi Mkenya" audio |
- Oral questions
- Written assignments
|
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