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SCHEME OF WORK
Creative Arts & Sports
Grade 6 2026
TERM III
School


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WK LSN STRAND SUB-STRAND LESSON LEARNING OUTCOMES LEARNING EXPERIENCES KEY INQUIRY QUESTIONS LEARNING RESOURCES ASSESSMENT METHODS REFLECTION
6 1-2
Performing and Displaying
Swimming - Understanding breaststroke body position in swimming
Swimming - Demonstrating breaststroke arm action and breathing technique
By the end of the lesson, the learner should be able to:
- Describe the correct body position for breaststroke: head down, body horizontal, arms and legs extended.
- Demonstrate the breaststroke body position on the pool edge or in shallow water under teacher supervision.
- Appreciate swimming skills as essential life and survival skills.
- Describe the circular arm action sequence (palms out, sweep inward and downward, recover forward) before demonstrating.
- Demonstrate the breaststroke arm action and breathing pattern (inhale as head rises, exhale as head submerges).
- Appreciate the importance of observing all safety precautions to ensure a safe swimming environment.
In groups, learners are guided to:
- Watch video clips of breaststroke swimming technique using digital devices or observe swimmers at a local pool.
- Study the breaststroke body position: lying horizontally, head facing down, body flat and streamlined.
- Discuss how the body position in breaststroke differs from front crawl learnt in the previous grade.
- Demonstrate the arm action: turn palms outward, sweep arms in a circular motion inward and downward, then recover forward to streamlined position.
- Demonstrate breathing: inhale as head rises, exhale underwater, and empty lungs before the head comes up.
- Observe safety measures: warm up before entering the pool, no running on the pool deck, no food or drinks at the pool.
Why are swimming skills considered essential survival skills?
How does coordinating arm action with breathing help a swimmer perform breaststroke efficiently?
- Hummingbird Creative Arts Learner's Book pg. 126
- Digital devices
- Swimming pool
- Hummingbird Creative Arts Learner's Book pg. 127
- Swimming pool
- Floaters (optional)
- Oral questions - Observation
- Observation - Skill progression charts
6 3
Performing and Displaying
Swimming - Demonstrating breaststroke leg action
By the end of the lesson, the learner should be able to:
- Describe the breaststroke leg action sequence before attempting: rotate ankles, bend knees, extend legs to the side then straight out.
- Demonstrate and perform the full leg kick sequence with toes pointed at the end of the extension.
- Appreciate the importance of observing safety precautions during all pool-side and in-water practice.
In groups, learners are guided to:
- Demonstrate the leg action step by step: rotate ankles outward, bend knees bringing feet towards the body, extend to the side then straight out.
- Sit on the pool edge with legs over the water and practise the leg kick action.
- Enter the water and hold the rail while practising the full leg kick action.
How does the breaststroke leg kick contribute to forward propulsion in the water?
- Hummingbird Creative Arts Learner's Book pg. 127
- Swimming pool
- Pool rail
- Observation - Skill progression charts
6 4
Performing and Displaying
Swimming - Practising breaststroke body position, arm action and leg kick
By the end of the lesson, the learner should be able to:
- Identify which breaststroke component (body position, arm action, leg kick or breathing) needs most attention before the practice session.
- Practise the full breaststroke by holding a floater for leg action, then swimming the full stroke unaided across the pool.
- Appreciate the value of self-observation and teacher feedback in identifying and correcting technique errors.
In groups, learners are guided to:
- From the streamlined position at the pool edge, practise arm action, breathing and leg action in sequence.
- Hold a floater and swim across the pool width focusing on leg action.
- Swim the full breaststroke across the pool width applying all three components together.
How does combining body position, arm action and leg kick produce a complete breaststroke?
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool
- Floaters
- Observation - Skill progression charts
6 5
Performing and Displaying
Swimming - Practising breaststroke in pairs with peer observation
By the end of the lesson, the learner should be able to:
- Swim the full breaststroke while a partner observes and gives feedback.
- Identify specific strengths and weaknesses in a partner's arm movement, leg movement and breathing.
- Show positive sportsmanship and encouragement when giving and receiving swimming feedback.
In groups, learners are guided to:
- Pair up and take turns swimming the full breaststroke while the partner watches from the pool side.
- Observe partner's arm movement, leg movement, breathing and glide position.
- Share observations politely and use feedback to make adjustments in the next attempt.
How does peer observation during swimming practice help a learner improve breaststroke technique?
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool
- Observation - Oral questions
6 6
Performing and Displaying
Swimming - Practising breaststroke in pairs with peer observation
By the end of the lesson, the learner should be able to:
- Swim the full breaststroke while a partner observes and gives feedback.
- Identify specific strengths and weaknesses in a partner's arm movement, leg movement and breathing.
- Show positive sportsmanship and encouragement when giving and receiving swimming feedback.
In groups, learners are guided to:
- Pair up and take turns swimming the full breaststroke while the partner watches from the pool side.
- Observe partner's arm movement, leg movement, breathing and glide position.
- Share observations politely and use feedback to make adjustments in the next attempt.
How does peer observation during swimming practice help a learner improve breaststroke technique?
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool
- Observation - Oral questions
7 1-2
Performing and Displaying
Swimming - Practising breaststroke in a relay game set-up
Swimming - Applying breaststroke across the pool and self-assessment
By the end of the lesson, the learner should be able to:
- Identify the relay rules and the correct breaststroke technique points to apply before the relay game begins.
- Apply breaststroke technique correctly while competing in the relay game across the pool.
- Display team spirit, fair play and respect for other swimmers throughout the relay.
- Identify the breaststroke components to demonstrate before swimming across the pool for assessment.
- Swim across the pool using breaststroke and complete the self-assessment checklist for body position, arm action and leg kick.
- Reflect on personal water confidence and set goals for further swimming development.
- Divide the class into relay teams.
- Each team member swims one width of the pool using breaststroke before the next member starts.
- Ensure all learners apply correct body position, arm action, leg kick and breathing during the relay.
- Swim across the pool width using breaststroke individually and as part of a team game.
- Complete the self-assessment checklist: body position, arm action, single hand dig pass (checklist item), full breaststroke.
- Discuss what aspects of breaststroke feel most natural and what still needs more practice.
How does applying breaststroke in a relay game build both skill and teamwork?
How does completing a self-assessment checklist help a swimmer track and improve performance?
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool
- Self-assessment checklist
- Observation - Checklist
- Self-assessment worksheet - Observation
7 3
Performing and Displaying
Swimming - Reviewing breaststroke technique and consolidating swimming skills
By the end of the lesson, the learner should be able to:
- Demonstrate the full breaststroke technique with consistent body position, arm action, leg kick and breathing.
- Recall key safety precautions for all swimming activities.
- Appreciate swimming as a life skill and survival skill.
In groups, learners are guided to:
- Swim the full breaststroke across the pool as a final review, applying all techniques.
- Discuss and recall all safety precautions: warm up before swimming, no running on pool deck, no food or drinks poolside.
- Share reflections on personal growth in water confidence and swimming skill.
Why is breaststroke considered both an athletic skill and a survival skill?
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool
- Observation - Oral questions
7 4
Performing and Displaying
Swimming - Extended breaststroke practice and relay competition
By the end of the lesson, the learner should be able to:
- Identify the technique points that most need attention during extended distance swimming before beginning.
- Perform breaststroke over an extended distance and participate in a relay competition applying correct technique.
- Value team spirit and fair play during competitive swimming activities.
In groups, learners are guided to:
- Swim increasing distances using breaststroke, building endurance alongside technique.
- Organise a relay competition across the pool — each member swims one full width before tagging the next.
- Celebrate effort, fair play and improvement throughout the relay competition.
How does increasing swimming distance help build both physical endurance and technique confidence?
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool
- Observation - Checklist
7 5
Performing and Displaying
Swimming - Observing peer breaststroke performance and giving feedback
By the end of the lesson, the learner should be able to:
- Identify the four observation criteria (body position, arm action, leg kick, breathing) before beginning peer observation.
- Systematically observe a peer's breaststroke and write specific feedback on each of the four criteria in an observation sheet.
- Develop the habit of reflective observation as a tool for improving both own and peers' athletic performance.
- Each learner performs one width of breaststroke while a partner uses agreed criteria to observe.
- Focus feedback on four areas: body position, arm action, leg kick and breathing.
- Discuss observations as a pair, agree on the most important area to improve and practise it immediately.
How does giving structured feedback make you a better observer and a better swimmer?
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool
- Observation checklist
- Observation - Oral questions
7 6
Performing and Displaying
Swimming - End-of-sub-strand: full breaststroke assessment in game set-up
By the end of the lesson, the learner should be able to:
- Identify all breaststroke components to demonstrate (body position, arm action, leg kick, breathing) before the assessment swim.
- Swim the full breaststroke demonstrating all components and apply breaststroke correctly in a relay game.
- Reflect on overall swimming learning and personal growth in water confidence throughout the sub-strand.
In groups, learners are guided to:
- Swim the full breaststroke across the pool for end-of-sub-strand assessment.
- Participate in a relay game applying breaststroke correctly.
- Complete a reflection: describe one swimming technique mastered and one aspect still being developed.
How has learning breaststroke improved your confidence and safety in the water?
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool
- Assessment checklist
- Observation - Self-assessment worksheet
8 1-2
Performing and Displaying
Swimming - Performing breaststroke in a timed relay event
Swimming - Peer teaching and consolidation of breaststroke technique
By the end of the lesson, the learner should be able to:
- Perform breaststroke in a timed relay event applying all correct techniques throughout.
- Record each team's relay time and compare performance across teams.
- Appreciate the role of team unity and sportsmanship in making a relay event enjoyable and fair for all.
- Identify the correct terminology for all breaststroke components before peer-teaching begins.
- Teach breaststroke technique steps to a peer using correct terminology and consolidate all components in a final practice swim.
- Reflect on the value of swimming as both an athletic skill and an essential life and survival skill.
- Form relay teams and perform a timed breaststroke relay across the pool.
- Record team times and compare performance.
- Award recognition for effort, improvement and sportsmanship in addition to timing.
- Pair learners at different skill levels; the more confident swimmer coaches the other on body position, arm action, leg kick and breathing.
- Swim the full breaststroke together applying all components.
- Reflect: how has learning breaststroke prepared you for water emergencies?
How does competing in a timed relay motivate swimmers to apply correct technique consistently?
How does teaching a swimming technique to a peer deepen your own understanding of the skill?
- Hummingbird Creative Arts Learner's Book pg. 129
- Swimming pool
- Stopwatch
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool
- Observation - Checklist
- Observation - Oral questions
8 3
Performing and Displaying
Swimming - Peer teaching and consolidation of breaststroke technique
By the end of the lesson, the learner should be able to:
- Identify the correct terminology for all breaststroke components before peer-teaching begins.
- Teach breaststroke technique steps to a peer using correct terminology and consolidate all components in a final practice swim.
- Reflect on the value of swimming as both an athletic skill and an essential life and survival skill.
- Pair learners at different skill levels; the more confident swimmer coaches the other on body position, arm action, leg kick and breathing.
- Swim the full breaststroke together applying all components.
- Reflect: how has learning breaststroke prepared you for water emergencies?
How does teaching a swimming technique to a peer deepen your own understanding of the skill?
- Hummingbird Creative Arts Learner's Book pg. 128
- Swimming pool
- Observation - Oral questions
8 4
Performing and Displaying
Swimming - Swimming endurance and technique consolidation
By the end of the lesson, the learner should be able to:
- Identify which breaststroke components to focus on maintaining as distance increases during the endurance challenge.
- Swim increasing distances using breaststroke with consistent technique, applying all components without coaching prompts.
- Value swimming endurance as both a fitness goal and an essential survival skill.
In groups, learners are guided to:
- Set an endurance challenge: swim two or three widths of the pool using breaststroke continuously.
- Focus on maintaining correct body position, arm action, leg kick and breathing throughout.
- Debrief: discuss how improving breaststroke endurance connects to water safety and fitness.
How does building swimming endurance alongside correct technique prepare a learner for real-life water situations?
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool
- Observation - Skill progression charts
8 5
Performing and Displaying
Swimming - Final relay race and swimming celebration
By the end of the lesson, the learner should be able to:
- Identify the relay rules and agree on team strategy before the final relay race begins.
- Swim the final relay race applying breaststroke technique correctly and compete as a team with full effort.
- Celebrate personal and group achievement and appreciate the progress made in breaststroke swimming.
In groups, learners are guided to:
- Organise a final relay race as a celebration of the swimming sub-strand.
- Each team member swims one width of the pool using correct breaststroke.
- Celebrate participation and improvement; discuss how swimming skills can be maintained and developed outside school.
Why is celebrating swimming achievement important for building long-term water confidence?
- Hummingbird Creative Arts Learner's Book pg. 130
- Swimming pool
- Observation - Checklist
8 6
Performing and Displaying
Swimming - End-of-strand review: Performing and Displaying
By the end of the lesson, the learner should be able to:
- Recall and describe key skills from Strand 2: sail technique, scissors technique, recorder notes C–D', Kenya National Anthem and breaststroke.
- Demonstrate or describe one skill from each sub-strand (athletics, recorder, swimming) to a partner as a consolidation activity.
- Appreciate the breadth of Performing and Displaying as a strand that integrates sport, music and water skills.
- Review key learning from athletics (sail technique, scissors technique), descant recorder (notes C–D', Kenya National Anthem) and swimming (breaststroke technique).
- Each learner shares one skill they are most proud of from Strand 2.
- Discuss how the skills of performing and displaying extend beyond the classroom.
How have the skills you developed in Strand 2 prepared you to perform and display in different contexts?
- Hummingbird Creative Arts Learner's Book pg. 89, pg. 100, pg. 126
- Exercise books
- Oral questions - Written assignments
9 1-2
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Identifying categories of indigenous Kenyan instrumental ensembles
Indigenous Kenyan Instrumental Ensembles - Classifying ensembles and reflecting on observations
By the end of the lesson, the learner should be able to:
- Identify the four categories of indigenous Kenyan instrumental ensembles: percussion, wind, string and mixed.
- Sort pictures of instruments into the correct ensemble categories and record names in a classification table.
- Appreciate the diversity and richness of Kenyan indigenous musical traditions.
- Classify observed indigenous Kenyan ensembles into percussion, wind and string categories based on playing method.
- Draw and complete the classification table, listing instrument names under each category with examples.
- Reflect on how watching and observing performances deepened understanding of ensemble categories.
In groups, learners are guided to:
- Watch video recordings of Kenyan indigenous ensemble performances and observe the instruments being played.
- Discuss the four categories: percussion (struck/shaken/scraped), wind (blown), string (plucked/bowed/struck) and mixed.
- Look at pictures of Kenyan ensembles and identify which category each belongs to.
- Draw and complete the classification table: string, wind and percussion ensemble columns.
- List the instruments observed in videos and pictures under the correct category.
- Reflect: what new instruments were learnt and how did video observation help understand ensemble categories?
What makes indigenous Kenyan instrumental ensembles important to Kenyan cultural identity?
How does classifying instruments into categories help a musician understand ensemble performance?
- Hummingbird Creative Arts Learner's Book pg. 108
- Digital devices
- Video links to Kenyan ensemble performances
- Hummingbird Creative Arts Learner's Book pg. 109
- Classification table (exercise book)
- Digital devices
- Oral questions - Observation
- Written assignments - Oral questions
9 3
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Discussing factors to consider when playing in an ensemble
By the end of the lesson, the learner should be able to:
- Identify and describe the key factors for successful ensemble playing: instrument understanding, listening, timing, communication and cultural respect.
- Discuss each factor in groups and role-play a short ensemble scenario demonstrating one factor (e.g. following the conductor).
- Develop respect for fellow musicians and appreciation for teamwork in musical performance.
In groups, learners are guided to:
- In groups, discuss why it is important to practise the instrument regularly and listen to fellow musicians.
- Discuss why rhythm and timing, eye contact, and blending sound are essential in ensemble playing.
- Reflect on why cultural understanding and following traditional ways of playing are important in indigenous ensembles.
Why is it important to listen carefully to fellow musicians when playing in an ensemble?
- Hummingbird Creative Arts Learner's Book pg. 109
- Exercise books
- Oral questions - Written assignments
9 4
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Selecting and preparing an instrument; practising playing techniques
By the end of the lesson, the learner should be able to:
- Identify the playing technique required for the chosen instrument (hitting, shaking, striking, plucking, bowing or blowing) before beginning.
- Select and tune the instrument correctly with teacher guidance, then demonstrate the appropriate playing technique.
- Appreciate the skill and cultural significance involved in correctly playing a Kenyan indigenous instrument.
In groups, learners are guided to:
- Select an instrument from available indigenous Kenyan instruments (drums, marimba, shakers, nyatiti, fiddle, chivoti).
- Learn to tune the instrument using tuning tools or reference tones.
- Practise the correct playing technique for the instrument, focusing on control, clarity of sound and appropriate strength.
How does mastering the correct playing technique for an instrument improve its contribution to an ensemble?
- Hummingbird Creative Arts Learner's Book pg. 110
- Indigenous instruments (drums, shakers, lyres, fiddles, flutes)
- Tuning tools
- Observation - Skill progression charts
9 5
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Practising in groups and coordinating ensemble timing
By the end of the lesson, the learner should be able to:
- Identify the rhythm or piece to be played and agree on tempo and cue signals before the group practice begins.
- Play the chosen instrument in a small group, maintaining rhythm and timing while adjusting volume to blend effectively.
- Appreciate the collaborative nature of ensemble playing and demonstrate respect for others' musical contributions.
- Form small groups with each learner playing a different instrument.
- Agree on a simple rhythm or piece and practise playing it together in sync.
- Rotate instruments within the group so learners experience different types; sanitise wind instruments before passing on.
How does listening to the overall ensemble sound help a musician adjust their own playing to blend better?
- Hummingbird Creative Arts Learner's Book pg. 110
- Indigenous instruments
- Floor space for ensemble practice
- Observation - Oral questions
9 6
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Practising in groups and coordinating ensemble timing
By the end of the lesson, the learner should be able to:
- Identify the rhythm or piece to be played and agree on tempo and cue signals before the group practice begins.
- Play the chosen instrument in a small group, maintaining rhythm and timing while adjusting volume to blend effectively.
- Appreciate the collaborative nature of ensemble playing and demonstrate respect for others' musical contributions.
- Form small groups with each learner playing a different instrument.
- Agree on a simple rhythm or piece and practise playing it together in sync.
- Rotate instruments within the group so learners experience different types; sanitise wind instruments before passing on.
How does listening to the overall ensemble sound help a musician adjust their own playing to blend better?
- Hummingbird Creative Arts Learner's Book pg. 110
- Indigenous instruments
- Floor space for ensemble practice
- Observation - Oral questions
10 1-2
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Rehearsing and performing as a full ensemble
Indigenous Kenyan Instrumental Ensembles - Performing before an audience and reflecting
By the end of the lesson, the learner should be able to:
- Identify the sections of the piece that need the most rehearsal before beginning the full ensemble practice.
- Play through the selected piece as a full ensemble, blending sounds and maintaining rhythm, melody and all ensemble factors.
- Develop confidence and pride in performing as part of a Kenyan indigenous instrumental ensemble.
- Identify the performance expectations (rhythm, melody, blending, technique, cultural respect) before taking the stage.
- Perform the selected piece as a full indigenous Kenyan ensemble before an audience, maintaining all technical and musical standards.
- Reflect on ensemble playing and articulate what was learnt about collaboration and Kenyan musical heritage.
In groups, learners are guided to:
- Rehearse the selected piece as a full ensemble with everyone playing their chosen instrument.
- Focus on listening to the overall sound, blending individual contributions and maintaining a shared rhythm.
- Practise until the ensemble sounds cohesive, then prepare for a final group performance.
- Perform the rehearsed piece as a full ensemble for the class or at a school event.
- Pay attention to maintaining rhythm, melody, blending and technique throughout the performance.
- Reflect in groups: what was enjoyed most, which aspect was most challenging and what was learnt about Kenyan indigenous music.
How does rehearsing together as a full ensemble develop musical unity and collective performance confidence?
What does a successful indigenous ensemble performance reveal about teamwork, culture and musical skill?
- Hummingbird Creative Arts Learner's Book pg. 111
- Full set of available indigenous instruments
- Hummingbird Creative Arts Learner's Book pg. 112
- Full set of available indigenous instruments
- Observation - Checklist
- Observation - Oral questions
10 3
Performing and Displaying
Indigenous Kenyan Instrumental Ensembles - Reviewing ensemble factors and appreciating Kenyan musical heritage
By the end of the lesson, the learner should be able to:
- Review and describe all key ensemble factors through group discussion.
- Demonstrate one ensemble technique (e.g. maintaining beat, blending volume) informally as part of the review activity.
- Value the role of indigenous Kenyan instrumental music in preserving and celebrating Kenyan cultural identity.
In groups, learners are guided to:
- Review the five ensemble factors discussed: understanding instrument, listening, rhythm and timing, communication and cultural understanding.
- Discuss the role of indigenous Kenyan ensembles in community celebrations, ceremonies and cultural preservation.
- Share one thing learnt about Kenyan cultural heritage through ensemble playing.
How do indigenous Kenyan instrumental ensembles help communities preserve and celebrate their cultural heritage?
- Hummingbird Creative Arts Learner's Book pg. 113
- Exercise books
- Oral questions - Written assignments
10 4
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Identifying pottery items made using slab technique
By the end of the lesson, the learner should be able to:
- Identify pottery items made using slab technique and describe how slabs are scored, slip-joined and assembled.
- Sketch a simple diagram of a slab-built item showing the base and side slabs and how they connect.
- Appreciate pottery as an important indigenous Kenyan craft tradition with deep cultural roots.
In groups, learners are guided to:
- Study pictures of pottery items made using slab technique and answer questions about the number of slabs and joining methods.
- Discuss what techniques (burnishing, stamping) were used to add texture and detail.
- Identify how slab technique differs from other pottery methods previously encountered.
How does the slab technique allow a potter to create functional and decorative pottery items?
- Hummingbird Creative Arts Learner's Book pg. 116
- Pictures of slab pottery items
- Digital devices
- Oral questions - Observation
10 5
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Finding, preparing and kneading clay
By the end of the lesson, the learner should be able to:
- Identify local sources of clay (anthills, riverbanks) and the safety equipment needed for collection.
- Prepare clay through the full sequence: dry, crush, sieve, slake with water, drain and knead until smooth.
- Appreciate the importance of collecting clay responsibly and observing safety precautions to protect the environment and self.
In groups, learners are guided to:
- Identify local sources of clay (anthills, riverbanks) and collect only what is needed with adult supervision.
- Prepare the clay: dry, crush, sieve, slake with water, drain excess water through cloth and knead on a flat surface.
- Wedge the clay by cutting and slamming pieces together to remove air bubbles and achieve a smooth, even texture.
How does thorough preparation of clay before modelling affect the quality of the finished pottery item?
- Hummingbird Creative Arts Learner's Book pg. 119
- Clay from local environment
- Gumboots, gloves, rolling pin, hammer
- Observation - Checklist
10 6
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Rolling slabs and measuring and cutting clay pieces
By the end of the lesson, the learner should be able to:
- Identify the required dimensions for the base and side slabs of the vase before rolling and cutting.
- Roll clay into evenly-thick slabs using a rolling pin and wood guides, then measure, mark and cut to correct dimensions.
- Develop precision and patience in preparing clay slabs for construction.
In groups, learners are guided to:
- Use a rolling pin and flat wood pieces to roll the prepared clay into even slabs.
- Ensure all slabs are the same thickness for uniform construction.
- Measure, mark and cut the slabs to the correct dimensions for the base and sides of the vase.
How does rolling clay to an even thickness ensure the structural strength of a slab-built vase?
- Hummingbird Creative Arts Learner's Book pg. 119
- Prepared clay
- Rolling pin, flat wood pieces, ruler, knife
- Observation - Checklist
11 1-2
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Joining slabs to form a vase
Indigenous Kenyan Craft - Pottery - Burnishing and stamping patterns on the vase
By the end of the lesson, the learner should be able to:
- Identify the scoring and slip-joining technique and explain why it creates a stronger bond than pressing slabs directly together.
- Score the edges, apply slip and attach the side slabs to the base, pressing firmly to form the vase body.
- Appreciate the importance of care and precision in forming a vase that is both structurally sound and aesthetically pleasing.
- Identify what burnishing achieves (smooth, shiny surface) and select appropriate stamps for the decorative pattern before beginning.
- Burnish the vase surface using a smooth stone in circular motions and stamp decorative patterns using chosen stamps.
- Appreciate how burnishing and stamping combine functional finishing with artistic expression in indigenous craft.
In groups, learners are guided to:
- Use a toothpick or pointed tool to score the edges of slabs where they will be joined.
- Mix clay with water to make slip and apply it to the scored edges as adhesive.
- Attach the sides to the base, pressing firmly, and smooth the interior joins with a finger or tool.
- Moisten the vase slightly if too dry, then burnish the surface using a smooth stone in circular motions until shiny.
- Create or find stamps (carved wood, pen tubes, leaves) and press them into the surface of the vase.
- Arrange the stamps in a creative pattern, experimenting with different designs and spacing.
Why is scoring and applying slip essential for creating strong joins in slab-built pottery?
How does burnishing and stamping add both functional and aesthetic value to a pottery item?
- Hummingbird Creative Arts Learner's Book pg. 120
- Cut clay slabs
- Toothpick, slip (clay and water mix)
- Hummingbird Creative Arts Learner's Book pg. 122
- Smooth stone or spoon
- Stamps (carved wood, pen tubes, leaves)
- Observation - Project
11 3
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Drying the vase and appreciating indigenous Kenyan craft
By the end of the lesson, the learner should be able to:
- Identify the correct drying conditions (shaded area, away from sunlight, slow drying) and explain why they prevent cracking.
- Position the vase in the correct drying location and arrange all completed pottery items neatly in the classroom display area.
- Appreciate pottery as a significant indigenous Kenyan craft and a powerful form of cultural expression.
In groups, learners are guided to:
- Place the vase in a shaded area away from direct sunlight and allow it to dry slowly over several days.
- Check periodically to ensure it is drying evenly without cracking.
- Arrange completed vases for classroom display and talk about the materials, techniques and steps used.
Why is drying pottery slowly in the shade important for preventing cracking and preserving the item?
- Hummingbird Creative Arts Learner's Book pg. 123
- Completed decorated vases
- Display area
- Observation - Oral questions
11 4
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Drying the vase and appreciating indigenous Kenyan craft
By the end of the lesson, the learner should be able to:
- Identify the correct drying conditions (shaded area, away from sunlight, slow drying) and explain why they prevent cracking.
- Position the vase in the correct drying location and arrange all completed pottery items neatly in the classroom display area.
- Appreciate pottery as a significant indigenous Kenyan craft and a powerful form of cultural expression.
In groups, learners are guided to:
- Place the vase in a shaded area away from direct sunlight and allow it to dry slowly over several days.
- Check periodically to ensure it is drying evenly without cracking.
- Arrange completed vases for classroom display and talk about the materials, techniques and steps used.
Why is drying pottery slowly in the shade important for preventing cracking and preserving the item?
- Hummingbird Creative Arts Learner's Book pg. 123
- Completed decorated vases
- Display area
- Observation - Oral questions
11 5
Performing and Displaying
Indigenous Kenyan Craft - Pottery - Displaying pottery and giving constructive peer critique
By the end of the lesson, the learner should be able to:
- Describe the full construction process (finding clay, preparing, rolling, joining, burnishing, stamping, drying) before the display.
- Display completed pottery items and give and receive constructive feedback on shape, surface finish and pattern design.
- Value indigenous Kenyan pottery as a creative, cultural and functional art form.
In groups, learners are guided to:
- Arrange all completed pottery items in a classroom display area.
- Describe own item: materials sourced, slab preparation, joining method, burnishing and stamping choices.
- Give specific feedback to classmates on what was admired, what technique was creative and suggestions for improvement.
What makes a slab-technique pottery item successful and how does peer critique help a potter grow?
- Hummingbird Creative Arts Learner's Book pg. 123
- Completed pottery items
- Observation - Oral questions
11 6
Performing and Displaying
Appreciation in Creative Arts
Indigenous Kenyan Craft - Pottery - Talking about own and others' pottery and reflecting on indigenous craft
Analysis of Creative Arts Works - Visiting an art exhibition centre and identifying artworks
By the end of the lesson, the learner should be able to:
- Describe the steps taken to create the pottery item including materials, techniques and challenges encountered.
- Reflect on the cultural significance of pottery as an indigenous Kenyan craft.
- Develop pride in creating an item that connects to Kenyan cultural heritage.
In groups, learners are guided to:
- Present own pottery item and describe: materials sourced and prepared, slab technique steps, burnishing and stamping.
- Discuss challenges faced (air bubbles, uneven slabs, cracking) and how they were overcome.
- Reflect on why pottery is valued as an indigenous Kenyan craft and how it can be preserved for future generations.
How does creating indigenous craft like pottery connect a learner to Kenyan cultural heritage?
- Hummingbird Creative Arts Learner's Book pg. 124
- Completed pottery items
- Hummingbird Creative Arts Learner's Book pg. 137
- Local art gallery or virtual gallery online
- Exercise books, pencils
- Written assignments - Portfolio
12 1-2
Appreciation in Creative Arts
Analysis of Creative Arts Works - Interpreting artworks and reflecting for inspiration
Analysis of Creative Arts Works - Visiting an art exhibition and creating a catalogue of exhibited works
Analysis of Creative Arts Works - Designing and completing an artwork catalogue
By the end of the lesson, the learner should be able to:
- Identify and describe the type, materials, techniques, meaning and aesthetic qualities of a chosen artwork.
- Write a personal reflection on how the artwork inspires own creative practice and what can be learnt from the artist.
- Develop respect for diverse artistic styles and appreciate the value of mentorship from established artists.
- Conduct a field trip to a local or virtual art exhibition and systematically observe displayed artworks.
- Record detailed information for each artwork (artist's name, type and media/material) and organise it into a structured catalogue.
- Appreciate the importance of systematic documentation in preserving and sharing knowledge about creative works.
In groups, learners are guided to:
- Choose an artwork from the exhibition and answer analytical questions: type of art, materials used, techniques applied, meaning and aesthetic value.
- Write a short reflection on how the artwork inspires own work and what can be learnt from the artist.
- If possible, reach out to a local artist or art teacher for mentorship and share reflections with friends and family.
- Visit a local or virtual art gallery and observe a range of artworks (paintings, sculptures, photographs).
- For each artwork record: artist's name, type of artwork and media/material used.
- Begin organising the notes into a catalogue — arranged neatly in a booklet or digital document.
How can analysing and reflecting on an artwork inspire a learner's own creative development?
What information must be captured in an artwork catalogue and why does each detail matter?
- Hummingbird Creative Arts Learner's Book pg. 138
- Artworks from gallery visit or own collection
- Exercise books
- Hummingbird Creative Arts Learner's Book pg. 137
- Local art gallery or virtual gallery
- Exercise books or digital devices
- Field trip notes
- Exercise books, pens or digital devices
- Written assignments - Portfolio
- Written assignments - Observation
12 3
Appreciation in Creative Arts
Analysis of Creative Arts Works - Choosing and analysing a personal artwork from the catalogue
Analysis of Creative Arts Works - Listening to a song and identifying pitch in music
By the end of the lesson, the learner should be able to:
- Identify which artwork from the catalogue has the most interesting combination of type, materials and meaning before analysing.
- Conduct a full analysis of the selected artwork covering type, materials, techniques, meaning and aesthetic value, and write a personal reflection.
- Show appreciation for the diverse artistic techniques and cultural backgrounds represented in the collected artworks.
In groups, learners are guided to:
- Choose a favourite artwork from the personal catalogue.
- Analyse it using five questions: type of art, materials used, techniques applied, meaning and aesthetic appeal.
- Write a personal reflection and share it with the class, explaining why the artwork was chosen and what it inspires.
How does a full analysis of one artwork help a learner understand and appreciate the creative process?
- Hummingbird Creative Arts Learner's Book pg. 138
- Personal artwork catalogue
- Exercise books
- Hummingbird Creative Arts Learner's Book pg. 144
- Digital devices
- "Earth Song" (Michael Jackson) — audio/video
- Written assignments - Portfolio
12 4
Appreciation in Creative Arts
Analysis of Creative Arts Works - Identifying melody and rhythm in a song
Analysis of Creative Arts Works - Identifying dynamics and tempo in a song
By the end of the lesson, the learner should be able to:
- Define melody as the main tune of a song and describe how the melody in "Earth Song" changes between verse and chorus.
- Define rhythm as the pattern of beats and clap the steady beat of "Earth Song" while discussing how it matches the song's serious message.
- Appreciate how melody and rhythm work together to give a song emotional depth and communicative power.
In groups, learners are guided to:
- Hum the melody of the verse and the chorus of "Earth Song" and discuss how the melody changes between the two sections.
- Clap along to the rhythm of the verses and the chorus and identify the steady beat pattern.
- Discuss how the calm, steady verse rhythm and the more powerful chorus rhythm match the song's serious environmental message.
How do melody and rhythm work together to strengthen the message of a song?
- Hummingbird Creative Arts Learner's Book pg. 144
- Digital devices
- "Earth Song" lyrics sheet
- "Earth Song" audio
- Oral questions - Observation
12 5
Appreciation in Creative Arts
Analysis of Creative Arts Works - Identifying texture, structure, messages and values in a song
By the end of the lesson, the learner should be able to:
- Describe texture as the layers of sound heard at once and identify the homophonic texture in "Earth Song".
- Listen to "Earth Song" and map its AB/ABA structure by labelling verses and choruses as they are heard, then discuss how the structure supports the message.
- Identify the environmental message and values in "Earth Song" and relate them to real-life concerns about the planet.
In groups, learners are guided to:
- Listen to "Earth Song" and identify the different layers of sound (voice, instruments, backing vocals) and discuss how they create texture.
- Identify the verses and choruses and discuss how the ABA structure develops and reinforces the song's plea.
- Discuss the message about protecting the Earth and the values of responsibility and care for the environment it promotes.
How do texture, structure and message work together in a song to convey important values?
- Hummingbird Creative Arts Learner's Book pg. 145
- Digital devices
- "Earth Song" audio and lyrics
- Written assignments - Oral questions
12 6
Appreciation in Creative Arts
Analysis of Creative Arts Works - Discussing messages and values in songs and connecting music to life
By the end of the lesson, the learner should be able to:
- Identify the message of patriotism and national unity in "Daima Mimi Mkenya" and discuss the values the lyrics promote.
- Choose a song, listen to it and write down its key message and values, then present the findings to the class.
- Appreciate how songs carry important values that connect to personal experiences and shape cultural identity.
In groups, learners are guided to:
- Listen to "Daima Mimi Mkenya" by Eric Wainaina, read through the lyrics and identify its message of patriotism and national identity.
- In groups choose other songs and discuss the messages and values they communicate.
- Connect the message of a chosen song to a personal experience, share the story and reflect on how music relates to daily life.
How do songs carry messages and values that connect to the experiences of everyday life?
- Hummingbird Creative Arts Learner's Book pg. 145
- Digital devices
- "Daima Mimi Mkenya" audio
- Oral questions - Written assignments

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