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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Foot Trapping
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate ball trapping using the inside and sole of the foot with correct body positioning and cushioning - Apply the foot trap in a passing drill with a partner sending the ball at different speeds - Show responsibility and safety awareness during football practice |
- Watch teacher demonstrate foot trapping using the inside and sole of the foot; study technique diagrams in the learner's book
- In pairs, practise foot trapping: position in line with the ball, lift trapping foot with toes up, cushion impact by pulling foot back - Give each other feedback on positioning, cushioning technique and ball control after each trapping repetition |
Why is correct cushioning technique important when trapping a ball with the foot in Football?
|
- Champion Creative Arts and Sports Grade 7 pg. 106
- Footballs, open field - Cones for organisation |
- Practical performance
- Observation
- Oral questions
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Thigh and Chest Trapping
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate ball trapping using the thigh and chest with correct positioning and cushioning - Apply thigh and chest trapping techniques in partner drills with lofted passes - Value the importance of mastering multiple trapping techniques for versatile Football play |
In groups, learners are guided to:
- Watch teacher demonstrate thigh trap (raise thigh at upward angle, cushion by lowering as ball contacts) and chest trap (lift chest, lean back as ball contacts) - In pairs, practise thigh trapping with lofted passes focusing on positioning, angle and cushioning - Alternate between thigh and chest trapping; observe and give structured feedback on body position and control |
How do thigh and chest trapping techniques differ from foot trapping and when should each be used?
|
- Champion Creative Arts and Sports Grade 7 pg. 107
- Footballs, open field - Cones for drill organisation |
- Practical performance
- Observation
- Peer feedback
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Thigh and Chest Trapping
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate ball trapping using the thigh and chest with correct positioning and cushioning - Apply thigh and chest trapping techniques in partner drills with lofted passes - Value the importance of mastering multiple trapping techniques for versatile Football play |
In groups, learners are guided to:
- Watch teacher demonstrate thigh trap (raise thigh at upward angle, cushion by lowering as ball contacts) and chest trap (lift chest, lean back as ball contacts) - In pairs, practise thigh trapping with lofted passes focusing on positioning, angle and cushioning - Alternate between thigh and chest trapping; observe and give structured feedback on body position and control |
How do thigh and chest trapping techniques differ from foot trapping and when should each be used?
|
- Champion Creative Arts and Sports Grade 7 pg. 107
- Footballs, open field - Cones for drill organisation |
- Practical performance
- Observation
- Peer feedback
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Dribbling Skills
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate dribbling technique maintaining close ball control while moving and changing direction - Perform dribbling drills through a cone course alternating feet and varying speed - Value coordination, persistence and creative movement in developing Football dribbling skills |
In groups, learners are guided to:
- Watch demonstrations of dribbling technique and identify key elements: body lean, foot contact point and eye direction - Practise dribbling through a cone relay course alternating feet and changing direction on signal - Discuss how close ball control during dribbling creates space and scoring opportunities; share reflections with the team |
How does effective dribbling create space and advantage for a player in a Football game?
|
- Champion Creative Arts and Sports Grade 7 pg. 108
- Footballs, cones, open field - Digital reference clips (optional) |
- Practical performance
- Observation
- Peer feedback
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Low Drive Shooting
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the low drive shot with correct approach, foot contact, follow-through and targeting - Apply the low drive shot from different positions aiming for the bottom corners of the goal - Show determination, accuracy and responsible behaviour during shooting practice |
In groups, learners are guided to:
- Watch teacher demonstrate the low drive shot focusing on approach angle, non-kicking foot placement, laced contact and low follow-through - Practise low drive shots from different positions around the penalty area aiming for the bottom corners with power - Give structured feedback on approach, foot contact point, power and accuracy; discuss what makes the low drive effective |
What makes a low drive shot difficult for a goalkeeper to stop?
|
- Champion Creative Arts and Sports Grade 7 pg. 110
- Footballs, goal posts, open field - Cones for shooting positions |
- Practical performance
- Observation
- Oral questions
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Placed Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the placed shot with correct inside-foot contact, controlled power and corner targeting - Apply the placed shot from different positions aiming for specific goal areas - Appreciate the difference between power and placement as strategic shooting options |
In groups, learners are guided to:
- Review the difference between a low drive (power, low corners) and placed shot (precision, specific corners) from previous lesson notes - Practise placed shots using the inside of the foot from different positions; focus on accuracy over power and consistent follow-through - Give structured feedback comparing accuracy of placed shots from different positions; discuss when a placed shot is better than a low drive |
When should a footballer choose a placed shot over a low drive shot?
|
- Champion Creative Arts and Sports Grade 7 pg. 111
- Footballs, goal posts, cones, open field - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Football Game
|
By the end of the
lesson, the learner
should be able to:
- Apply trapping, dribbling and shooting skills in a full Football game - Demonstrate knowledge of Football positions and basic rules during the game - Show teamwork, sportsmanship and a positive attitude throughout game play |
In groups, learners are guided to:
- Organise into two teams; assign positions (goalkeeper, defenders, midfielders, forwards) and warm up before the game - Play a full Football game applying all skills learned; encourage each other throughout and follow the rules of fair play - Cool down after the game; discuss as a team what went well and identify two areas for improvement |
How do all Football skills come together in a real game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 112
- Footballs, goal posts, bibs, cones, open field - Whistle |
- Practical performance
- Observation
- Oral questions
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Football Game
|
By the end of the
lesson, the learner
should be able to:
- Apply trapping, dribbling and shooting skills in a full Football game - Demonstrate knowledge of Football positions and basic rules during the game - Show teamwork, sportsmanship and a positive attitude throughout game play |
In groups, learners are guided to:
- Organise into two teams; assign positions (goalkeeper, defenders, midfielders, forwards) and warm up before the game - Play a full Football game applying all skills learned; encourage each other throughout and follow the rules of fair play - Cool down after the game; discuss as a team what went well and identify two areas for improvement |
How do all Football skills come together in a real game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 112
- Footballs, goal posts, bibs, cones, open field - Whistle |
- Practical performance
- Observation
- Oral questions
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Making Improvised Crayons
|
By the end of the
lesson, the learner
should be able to:
- Describe the process of making improvised crayons from wax and natural or artificial pigments - Make improvised crayons following the correct steps under teacher guidance - Show care and responsibility when using heat-safe materials and equipment |
In groups, learners are guided to:
- Read the steps for making improvised crayons: melt wax, add pigments, stir, pour into moulds and allow to cool - In groups with teacher guidance, melt wax in a heat-safe container, mix chosen pigments and pour into ice cube trays or homemade moulds - Allow wax to harden, remove from moulds and discuss the final colour and shape of each crayon |
How can everyday materials like wax and pigments be transformed into art-making tools?
|
- Champion Creative Arts and Sports Grade 7 pg. 113
- Wax/used candles, pigments/food colouring, heat-safe container, stove or hot plate, moulds, stirring stick - Safety gloves, teacher supervision |
- Practical work assessment
- Observation
- Oral questions
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Crayon Etching Composition
|
By the end of the
lesson, the learner
should be able to:
- Create a crayon etching pictorial composition depicting a Football scene - Apply the etching technique by scratching through a black-coated surface to reveal vibrant crayon colours underneath - Show creativity, precision and teamwork in producing and discussing the finished composition |
In groups, learners are guided to:
- Cut out Football skill images from magazines or printouts; choose sturdy paper and fill it with vibrant crayon layers using improvised crayons from the previous lesson - Cover the entire crayon surface with black paint/ink mixed with dish soap and allow to dry completely - Use a toothpick or scratching tool to etch the Football scene into the black surface revealing the coloured layer; display and discuss compositions in class |
How does the crayon etching technique create an unexpected and vibrant visual effect?
|
- Champion Creative Arts and Sports Grade 7 pg. 114
- Improvised crayons, black paint or ink, dish soap, toothpicks, sturdy paper, scissors, magazines - Ruler, pencils |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Review of Trapping, Dribbling, Shooting and Crayon Etching
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Football skills and art concepts covered: foot/thigh/chest trapping, dribbling, low drive, placed shot, game play and crayon etching - Complete a practical Football skills drill and a written assessment - Reflect on personal skill development and the link between Football and visual art |
In groups, learners are guided to:
- Review all trapping techniques, dribbling steps, shooting types, Football rules and crayon etching process - Complete a written assessment on all Football topics; demonstrate two Football skills in a practical drill for the teacher - Complete the self-assessment checklist on all Football learning outcomes and discuss as a class the link between sport and visual art |
What is the connection between Football skills and visual art in this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 115
- Footballs, cones, open field - Self-assessment checklist, exercise books |
- Written test
- Practical performance
- Self-assessment
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Review of Trapping, Dribbling, Shooting and Crayon Etching
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Football skills and art concepts covered: foot/thigh/chest trapping, dribbling, low drive, placed shot, game play and crayon etching - Complete a practical Football skills drill and a written assessment - Reflect on personal skill development and the link between Football and visual art |
In groups, learners are guided to:
- Review all trapping techniques, dribbling steps, shooting types, Football rules and crayon etching process - Complete a written assessment on all Football topics; demonstrate two Football skills in a practical drill for the teacher - Complete the self-assessment checklist on all Football learning outcomes and discuss as a class the link between sport and visual art |
What is the connection between Football skills and visual art in this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 115
- Footballs, cones, open field - Self-assessment checklist, exercise books |
- Written test
- Practical performance
- Self-assessment
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Relay Drills and Team Tactics
|
By the end of the
lesson, the learner
should be able to:
- Execute a football relay drill combining dribbling and passing through a cone course - Describe simple attacking and defensive tactics in Football - Show teamwork, communication and encouragement during relay and tactical drills |
In groups, learners are guided to:
- Set up a relay course with cones; each team member dribbles through the cones then passes to the next teammate and continues until all have completed the course - Discuss simple tactics: creating space through movement, supporting the ball carrier and defensive positioning - Reflect on how teamwork helped complete the relay efficiently and which tactics were most effective |
How do relay drills and simple tactics develop teamwork and football intelligence?
|
- Champion Creative Arts and Sports Grade 7 pg. 116
- Footballs, cones, bibs, open field - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Defining Folk Songs
|
By the end of the
lesson, the learner
should be able to:
- Define a folk song and distinguish between solo and group folk songs - Identify folk songs from at least three Kenyan communities and the occasions during which they are performed - Show respect and appreciation for the diversity of Kenya's folk song traditions |
In groups, learners are guided to:
- Discuss what a folk song is and how folk songs are passed from one generation to the next - Identify examples of Kenyan folk songs from communities such as Agikuyu, Akamba, Maasai and Luo and name the occasions they are sung - Distinguish between solo folk songs (herding songs, lullabies) and group folk songs; share examples in class |
Why are folk songs described as an important part of a community's cultural heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 117
- Digital devices for folk song recordings - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Classifying Folk Songs
|
By the end of the
lesson, the learner
should be able to:
- Classify folk songs by type (solo/group), occasion, community of origin and age group - Study pictures of folk song performers and identify their community from attire and instruments - Appreciate how classification helps understand the rich variety of Kenyan folk song traditions |
In groups, learners are guided to:
- Study pictures of folk song performers and identify the communities from attire, instruments and body movements - Read the Agikuyu folk song 'Nguina Ndina Tha' and discuss its meaning and occasion; identify similar songs from three other communities - Create a table classifying at least five folk songs by community, occasion, type and age group |
How does classifying folk songs by occasion, community and type deepen our appreciation of Kenyan culture?
|
- Champion Creative Arts and Sports Grade 7 pg. 118
- Digital/print resources on Kenyan folk songs - Exercise books |
- Written assignment
- Observation
- Oral presentation
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance Techniques
|
By the end of the
lesson, the learner
should be able to:
- Describe folk song performance techniques: voice projection, tempo, dynamics, gestures and body movement - Identify the role of musical instruments and authentic idioms in folk song performance - Value the technical skill and cultural knowledge required to perform folk songs authentically |
In groups, learners are guided to:
- Visit or watch a recording of a folk song performance noting voice projection, tempo, dynamics, gestures, instruments and authentic idioms used - Identify the role of instruments such as obokano, orutu, drums and shakers in introducing, identifying community and providing tempo - Discuss how each performance technique contributes to expressing the mood, occasion and cultural identity of the folk song |
What performance techniques make a folk song performance authentic and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 120
- Digital devices for folk song recordings - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance Techniques
|
By the end of the
lesson, the learner
should be able to:
- Describe folk song performance techniques: voice projection, tempo, dynamics, gestures and body movement - Identify the role of musical instruments and authentic idioms in folk song performance - Value the technical skill and cultural knowledge required to perform folk songs authentically |
In groups, learners are guided to:
- Visit or watch a recording of a folk song performance noting voice projection, tempo, dynamics, gestures, instruments and authentic idioms used - Identify the role of instruments such as obokano, orutu, drums and shakers in introducing, identifying community and providing tempo - Discuss how each performance technique contributes to expressing the mood, occasion and cultural identity of the folk song |
What performance techniques make a folk song performance authentic and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 120
- Digital devices for folk song recordings - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Rehearsing a Folk Song
|
By the end of the
lesson, the learner
should be able to:
- Take on roles of lead singer, chorus and instrumentalist in a folk song rehearsal - Rehearse a Kenyan folk song with correct tune, tone, mood and cultural body movements - Show teamwork, cultural pride and commitment during the rehearsal process |
In groups, learners are guided to:
- In groups, choose a Kenyan folk song and research its cultural background, occasion and significance using digital or print resources - Listen to recordings of the chosen song and practise taking on roles: lead singer starts and guides, chorus responds - Rehearse the song with correct mood and gestures; use digital devices to check pronunciation and cultural accuracy |
How does understanding the cultural background of a folk song improve the quality of the performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 121
- Digital devices for folk song recordings - Traditional instruments (optional), exercise books |
- Observation
- Oral performance
- Peer feedback
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a Kenyan folk song before the class applying correct technique, tone, gestures and cultural body movements - Evaluate each other's folk song performances using structured criteria: voice projection, tempo, dynamics, gestures and cultural elements - Appreciate and celebrate the cultural value of folk songs across different Kenyan communities |
In groups, learners are guided to:
- Perform the rehearsed folk song in class with full cultural presentation including costumes, gestures and movements - After each performance classmates complete a peer evaluation noting voice projection, tempo, gestures, mood and cultural authenticity - Reflect as a class on what made the best performances stand out and discuss the value of preserving folk songs |
How does performing a folk song with authentic technique and cultural expression preserve Kenya's heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 121
- Improvised cultural costumes and props - Peer evaluation form, exercise books |
- Practical performance
- Peer assessment
- Observation
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Digital Research on Folk Songs
|
By the end of the
lesson, the learner
should be able to:
- Use digital devices to search for folk songs from different Kenyan communities attending to lyrics, melody and instruments - Note down thoughts and feelings about each song and its role in cultural preservation - Develop digital literacy skills while deepening appreciation for Kenya's folk song heritage |
In groups, learners are guided to:
- Use digital devices to search for folk songs from at least three different Kenyan communities using the provided link and other approved sources - Listen attentively to each song noting the lyrics, melody, instruments and the occasion it represents - Note down thoughts and feelings about each song; discuss as a class how these songs help preserve cultural heritage and what values they convey |
How does using digital resources to research folk songs broaden understanding of Kenya's cultural diversity?
|
- Champion Creative Arts and Sports Grade 7 pg. 117
- Digital devices / Internet access - Exercise books |
- Written assignment
- Oral questions
- Observation
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Function of Jewellery
|
By the end of the
lesson, the learner
should be able to:
- Identify the sociocultural, economic and symbolic functions of jewellery in Kenyan communities - Describe how jewellery communicates social status, age, marital status and cultural identity - Appreciate the cultural significance of beadwork as part of Kenya's rich heritage |
In groups, learners are guided to:
- Study pictures of jewellery from different communities and identify which community each piece belongs to - Read about beadwork functions: social stratification, ceremonies, spiritual meaning, trade and cultural preservation - In groups, brainstorm different functions of beaded jewellery and present findings in class |
What does beaded jewellery communicate about identity and culture in Kenyan communities?
|
- Champion Creative Arts and Sports Grade 7 pg. 122
- Pictures of Kenyan jewellery - Digital devices / print resources |
- Oral presentation
- Observation
- Written reflection
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Function of Jewellery
|
By the end of the
lesson, the learner
should be able to:
- Identify the sociocultural, economic and symbolic functions of jewellery in Kenyan communities - Describe how jewellery communicates social status, age, marital status and cultural identity - Appreciate the cultural significance of beadwork as part of Kenya's rich heritage |
In groups, learners are guided to:
- Study pictures of jewellery from different communities and identify which community each piece belongs to - Read about beadwork functions: social stratification, ceremonies, spiritual meaning, trade and cultural preservation - In groups, brainstorm different functions of beaded jewellery and present findings in class |
What does beaded jewellery communicate about identity and culture in Kenyan communities?
|
- Champion Creative Arts and Sports Grade 7 pg. 122
- Pictures of Kenyan jewellery - Digital devices / print resources |
- Oral presentation
- Observation
- Written reflection
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Beadwork Materials
|
By the end of the
lesson, the learner
should be able to:
- Identify beadwork materials including plastic, clay, shells, bone, wood and glass and their characteristics - Match each material to the communities that commonly use it - Show appreciation for how different communities use locally available materials to create cultural jewellery |
In groups, learners are guided to:
- Study pictures of beadwork and identify the materials used in each piece - Read the materials table: plastic (lightweight, colourful), clay (durable, paintable), shells (natural, coastal), bone (strong, carvable), wood (lightweight, carvable), glass (intricate, colourful) - Match each material to the communities associated with it and discuss which materials would be easiest to source locally |
How does the choice of material reflect the cultural identity and environment of a Kenyan community?
|
- Champion Creative Arts and Sports Grade 7 pg. 124
- Pictures of beadwork, materials table - Exercise books |
- Oral questions
- Written assignment
- Observation
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Threading Materials and Sourcing
|
By the end of the
lesson, the learner
should be able to:
- Identify threading materials used in beadwork: fishing line, twine and wire and describe the properties of each - Source beadwork materials from the environment, craft stores and family resources - Show resourcefulness and environmental awareness when collecting materials for beadwork |
In groups, learners are guided to:
- Identify threading materials: fishing line (durable, clear), twine (strong, suitable for large beads) and wire (rigid beadwork) and discuss properties of each - List parts of a necklace and identify items that can be used to make each part from available resources - Plan an extended activity to source natural beads (shells, seeds, stones) and threading materials from home or environment |
Why is it important to choose the right threading material for a beadwork project?
|
- Champion Creative Arts and Sports Grade 7 pg. 125
- Fishing line, twine, wire samples - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Making Clay Beads
|
By the end of the
lesson, the learner
should be able to:
- Make clay beads following the correct steps of rolling, shaping, smoothing, piercing and drying - Produce beads that are evenly sized and have clean pierced holes for threading - Show craftsmanship, patience and care during the clay bead-making process |
In groups, learners are guided to:
- Roll clay on a flat surface and pinch into evenly-sized balls; dip fingers in water to soften the clay if needed - Roll each ball between palms to smooth, then use a toothpick or tapestry needle to pierce a clean hole through the centre - Allow beads to dry completely; identify any that need reshaping and correct them before drying is complete |
What steps are needed to make a well-crafted clay bead suitable for beadwork?
|
- Champion Creative Arts and Sports Grade 7 pg. 126
- Clay, water, toothpicks, workspace - Tapestry needle, flat board |
- Practical work assessment
- Observation
- Oral questions
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Making Clay Beads
|
By the end of the
lesson, the learner
should be able to:
- Make clay beads following the correct steps of rolling, shaping, smoothing, piercing and drying - Produce beads that are evenly sized and have clean pierced holes for threading - Show craftsmanship, patience and care during the clay bead-making process |
In groups, learners are guided to:
- Roll clay on a flat surface and pinch into evenly-sized balls; dip fingers in water to soften the clay if needed - Roll each ball between palms to smooth, then use a toothpick or tapestry needle to pierce a clean hole through the centre - Allow beads to dry completely; identify any that need reshaping and correct them before drying is complete |
What steps are needed to make a well-crafted clay bead suitable for beadwork?
|
- Champion Creative Arts and Sports Grade 7 pg. 126
- Clay, water, toothpicks, workspace - Tapestry needle, flat board |
- Practical work assessment
- Observation
- Oral questions
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Painting Beads in Patriotic Colours
|
By the end of the
lesson, the learner
should be able to:
- Paint dried clay beads in Kenya's flag colours: red, white, green and black - Sort painted beads by colour in preparation for threading - Show patriotism and creativity in using Kenya's national colours in a beadwork project |
In groups, learners are guided to:
- Sort dried clay beads into four piles for painting - Paint each pile using red, white, green and black acrylic paint ensuring even coverage; allow each colour to dry completely before handling - Identify natural materials gathered from the environment such as shells, seeds and wood pieces as additional bead options for the jewellery project |
How can beadwork using Kenya's flag colours express patriotism and national identity?
|
- Champion Creative Arts and Sports Grade 7 pg. 127
- Dried clay beads, red/white/green/black acrylic paint, brushes - Newspaper to protect workspace |
- Practical work assessment
- Observation
- Oral questions
|
|
| 8 | 1 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - One-Way Beading Technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the one-way beading technique by stringing beads in a single direction onto thread or fishing wire - Create a beaded bracelet or necklace using Kenya's flag colours following a planned colour pattern - Show attention to detail and creativity in designing and completing the beadwork piece |
In groups, learners are guided to:
- Review the one-way technique: thread needle, knot one end of fishing wire or string and string beads in one direction in a planned colour sequence - String painted beads in Kenya's flag colours (black, red, green, white) following a patriotic pattern - Tie off the ends securely; display the bracelet or necklace and describe the colour pattern choice to classmates |
What pattern and colour choices make a one-way beaded piece both beautiful and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 128
- Painted clay beads, fishing wire or thread, needles, scissors - Exercise books |
- Practical work assessment
- Observation
- Oral questions
|
|
| 8 | 2 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Criss-Cross Beading Technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the criss-cross beading technique by crossing the thread through each bead in opposite directions - Create a beaded piece using the criss-cross technique showing Kenya's patriotic colours - Value craftsmanship and precision in applying a more advanced beading technique |
In groups, learners are guided to:
- Review the criss-cross technique: cross the thread through each bead so the thread goes through each bead from both ends creating a firmer, more structured piece - Using painted beads in Kenya's flag colours, apply the criss-cross technique to create a bracelet or necklace section - Compare the finished criss-cross piece with the one-way piece from the previous lesson; discuss differences in texture, firmness and appearance |
How does the criss-cross technique create a different effect compared to the one-way beading technique?
|
- Champion Creative Arts and Sports Grade 7 pg. 129
- Painted clay beads, fishing wire or thread, needles, scissors - One-way beaded piece from previous lesson |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 8 | 3 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Cultural Significance and Display
|
By the end of the
lesson, the learner
should be able to:
- Explain how beadwork carries cultural significance in ceremonies, social status and storytelling - Display completed beaded jewellery and present it describing design choices and patriotic meaning - Appreciate beadwork as a cultural art form that connects communities to their heritage and history |
In groups, learners are guided to:
- Read and discuss how beadwork is used in weddings, initiations, status symbols and storytelling; identify the cultural narratives communicated through patterns and colours - Display all completed beaded pieces and take turns presenting to the class: explain the technique used, colour pattern and what the piece represents - Discuss as a class how beadwork projects developed creativity, patriotism and understanding of Kenyan culture |
How does creating beadwork deepen understanding of cultural heritage and identity?
|
- Champion Creative Arts and Sports Grade 7 pg. 130
- Completed beaded jewellery pieces - Exercise books, display space |
- Oral presentation
- Observation
- Written reflection
|
|
| 8 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Cultural Significance and Display
|
By the end of the
lesson, the learner
should be able to:
- Explain how beadwork carries cultural significance in ceremonies, social status and storytelling - Display completed beaded jewellery and present it describing design choices and patriotic meaning - Appreciate beadwork as a cultural art form that connects communities to their heritage and history |
In groups, learners are guided to:
- Read and discuss how beadwork is used in weddings, initiations, status symbols and storytelling; identify the cultural narratives communicated through patterns and colours - Display all completed beaded pieces and take turns presenting to the class: explain the technique used, colour pattern and what the piece represents - Discuss as a class how beadwork projects developed creativity, patriotism and understanding of Kenyan culture |
How does creating beadwork deepen understanding of cultural heritage and identity?
|
- Champion Creative Arts and Sports Grade 7 pg. 130
- Completed beaded jewellery pieces - Exercise books, display space |
- Oral presentation
- Observation
- Written reflection
|
|
| 8 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Review of Materials, Techniques and Cultural Significance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Beadwork topics: functions of jewellery, materials, threading, clay bead-making, one-way and criss-cross techniques and cultural significance - Complete a written assessment and self-assessment on all Beadwork learning outcomes - Reflect on personal growth in craft skills and cultural understanding through beadwork |
In groups, learners are guided to:
- Review beadwork functions, material properties, threading types, clay bead-making steps, both beading techniques and cultural significance of beadwork - Complete written assessment and self-assessment checklist on all Beadwork learning outcomes - Write a short paragraph on what was most meaningful about the beadwork project and share with a parent or guardian |
How has making beaded jewellery developed both your craft skills and appreciation for Kenyan cultural heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 131
- Exercise books, self-assessment checklist - Assessment worksheets |
- Written test
- Self-assessment
- Oral questions
|
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