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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Sol-fa Notation and Qualities of Melody
|
By the end of the
lesson, the learner
should be able to:
- Identify the sol-fa notations of the C major scale and relate them to staff notation - Describe the three qualities of a good melody: singable leaps of a 3rd, identifiable shape and starting/ending on tonic triad notes - Show appreciation for the structure and beauty of a well-composed melody |
In groups, learners are guided to:
- Sing 'Twinkle Twinkle Little Star' and describe the song using melody vocabulary - Identify sol-fa notations (d r m f s l t d') on given notes on the treble staff and write them in exercise books - Discuss and copy the three qualities of a good melody identifying examples of each in familiar songs |
What are the qualities that make a melody pleasant to sing and easy to remember?
|
- Champion Creative Arts and Sports Grade 7 pg. 66
- Exercise books, pencils, rulers - Music notation charts |
- Oral questions
- Written assignment
- Observation
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melody Contour and Shape
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe different melodic contours: rising, falling, rising-falling, flat-rising and falling-rising - Analyse familiar melodies to describe their shape and contour - Appreciate how melodic shape gives music its distinctive character and emotional direction |
In groups, learners are guided to:
- Study diagrams of the eight melodic contour shapes: rising, rising-flat, rising-falling, flat-rising, flat-falling, falling-rising, falling-flat and falling - Analyse the melody of 'Twinkle Twinkle Little Star' and identify its contour shape across the phrases - In pairs, describe the contour of two other familiar songs and share observations with the class |
How does the contour or shape of a melody affect the emotion and character of a song?
|
- Champion Creative Arts and Sports Grade 7 pg. 67
- Exercise books, pencils - Music notation charts / digital resources |
- Oral questions
- Written assignment
- Observation
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Tonic Triad and Melody Structure
|
By the end of the
lesson, the learner
should be able to:
- Define the tonic triad and identify its notes (C, E, G) in the scale of C major - Explain why melodies in C major should start on doh, mi or so and end on doh - Value understanding of melodic structure as a foundation for composing music |
In groups, learners are guided to:
- Define tonic triad and explain that it combines three notes each an interval of a 3rd apart: C (doh), E (mi) and G (so) - Identify the starting and ending notes of familiar melodies and check whether they follow the rule of starting on doh, mi or so and ending on doh - Write out the C major scale on the treble staff and label each note with its sol-fa name; circle the tonic triad notes |
Why must a good melody in C major start on doh, mi or so and always end on doh?
|
- Champion Creative Arts and Sports Grade 7 pg. 68
- Exercise books, pencils, rulers - Music notation charts |
- Written assignment
- Oral questions
- Observation
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Composing a Melody in C Major
|
By the end of the
lesson, the learner
should be able to:
- Compose an original melody in C major on the treble staff applying all three qualities of a good melody - Ensure the composed melody starts on doh, mi or so, uses leaps of no more than a 3rd and ends on doh - Show creativity and pride in composing and notating an original musical piece |
In groups, learners are guided to:
- Review the three qualities of a good melody: singable leaps of a 3rd, identifiable contour and tonic triad start/end - Compose a 4–8 note original melody in C major on the treble staff observing all three qualities - Share the composed melody with classmates by singing it on sol-fa syllables and invite feedback on its structure and qualities |
How do the rules of melody writing guide you in creating an original musical composition?
|
- Champion Creative Arts and Sports Grade 7 pg. 69
- Exercise books, pencils, rulers - Music notation software/apps (optional) |
- Practical performance
- Written assignment
- Peer feedback
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Melody - Performing Melodies
|
By the end of the
lesson, the learner
should be able to:
- Sing composed melodies with correct sol-fa names, pitch and rhythm - Evaluate own and peers' melody performances using criteria of pitch accuracy, rhythm and expression - Show confidence and enjoyment in performing original melodic compositions |
In groups, learners are guided to:
- Practise singing composed melodies using sol-fa syllables focusing on correct pitch and rhythm - Perform melodies in pairs or groups for the class applying appropriate expression and steady tempo - Give and receive structured feedback on each performance noting pitch accuracy, rhythmic steadiness and expressiveness |
How does performing your own composed melody develop musical confidence and expression?
|
- Champion Creative Arts and Sports Grade 7 pg. 70
- Exercise books with composed melodies - Digital recording device (optional) |
- Oral performance
- Observation
- Peer feedback
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Review of Sol-fa, Contour, Tonic Triad and Composition
|
By the end of the
lesson, the learner
should be able to:
- Summarise all concepts covered in Melody: sol-fa notation, contour shapes, tonic triad and composition rules - Answer assessment questions covering all Melody topics - Reflect on how understanding melody has improved their musicality |
In groups, learners are guided to:
- Review sol-fa notations, melodic contour shapes, the tonic triad, three qualities of a good melody and composition steps - Complete a written assessment and perform a short melody for the teacher - In pairs, share what was most interesting about composing melody and what they found most challenging |
What key skills and knowledge have you gained from studying Melody?
|
- Champion Creative Arts and Sports Grade 7 pg. 71
- Exercise books - Assessment worksheets |
- Written test
- Oral performance
- Observation
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Review of Sol-fa, Contour, Tonic Triad and Composition
|
By the end of the
lesson, the learner
should be able to:
- Summarise all concepts covered in Melody: sol-fa notation, contour shapes, tonic triad and composition rules - Answer assessment questions covering all Melody topics - Reflect on how understanding melody has improved their musicality |
In groups, learners are guided to:
- Review sol-fa notations, melodic contour shapes, the tonic triad, three qualities of a good melody and composition steps - Complete a written assessment and perform a short melody for the teacher - In pairs, share what was most interesting about composing melody and what they found most challenging |
What key skills and knowledge have you gained from studying Melody?
|
- Champion Creative Arts and Sports Grade 7 pg. 71
- Exercise books - Assessment worksheets |
- Written test
- Oral performance
- Observation
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Extended Melody Creation and Performance
|
By the end of the
lesson, the learner
should be able to:
- Extend a previously composed melody by adding more bars following the rules of good melody writing - Perform the extended melody to the class with improved confidence and expression - Appreciate the creative process involved in developing and refining a melody |
In groups, learners are guided to:
- Revisit the composed melody from a previous lesson and extend it by adding two more bars observing the three melody qualities - Practise performing the extended melody using sol-fa syllables then on a comfortable pitch - Perform the extended melody for the class; discuss how the extension changed the character and feel of the melody |
How does extending and refining a melody develop your compositional and performance skills?
|
- Champion Creative Arts and Sports Grade 7 pg. 72
- Exercise books with original composed melodies - Digital music tools/apps (optional) |
- Practical performance
- Written assignment
- Observation
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Portfolio Completion and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Compile all Melody work including notation, compositions and reflections into a portfolio - Write a personal reflection on what was learnt in the Melody sub-strand - Value keeping a portfolio as a record of creative and musical growth |
In groups, learners are guided to:
- Organise all melody exercises, composed melodies and performance notes into the portfolio folder - Write a reflection addressing: what was learnt about melody, which activity was most enjoyable and how melody skills apply in real life - Share the portfolio with a classmate and give each other encouraging feedback on the musical journey |
How does keeping a portfolio help you track and celebrate your growth in music?
|
- Champion Creative Arts and Sports Grade 7 pg. 73
- Portfolio folder, completed melody work - Exercise books |
- Portfolio assessment
- Written reflection
- Peer feedback
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Handball - Passing Skills
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the four Handball passing skills: side, jump, overhead and flick pass - Demonstrate correct side pass technique aiming for the partner's chest with accurate follow-through - Show teamwork and communication during passing drills |
In groups, learners are guided to:
- Watch video clips or live demonstration of different Handball passing types and list each type identified - In pairs, stand shoulder-width apart and practise the side pass focusing on grip, aim and follow-through direction - Discuss how each pass type can be used effectively during a game; share findings with the class |
How do effective passing skills contribute to teamwork and ball control in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open court or field - Digital devices for reference clips |
- Practical performance
- Observation
- Oral questions
|
|
| 4 |
Midterm |
||||||||
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Pass and Overhead Pass
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the jump pass and overhead pass with correct take-off, ball control and release - Apply jump and overhead passes appropriately in drill situations - Value precision, timing and coordination in developing advanced Handball passing skills |
In groups, learners are guided to:
- Observe teacher demonstration of jump pass (take-off, ball grip, mid-air release) and overhead pass (two-hand grip above head, forward release) - Practise both passes in pairs focusing on footwork, timing and accuracy of release - Give each other structured feedback on body position, grip, release point and accuracy after each drill |
When would a player use a jump pass or overhead pass instead of a side pass in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 75
- Handballs, open court or field - Cones for drill organisation |
- Practical performance
- Observation
- Peer feedback
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Dribbling Skills
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate dribbling technique in Handball including ball control while moving forward and changing direction - Perform dribbling drills showing speed variation and change of direction - Value coordination and persistence in developing Handball dribbling skills |
In groups, learners are guided to:
- Watch demonstrations of dribbling technique and identify the key elements: body position, hand control and movement direction - Practise dribbling the ball while moving forward, sideways and changing direction around cones - Discuss as a team how dribbling combined with passing helps create scoring opportunities; share observations |
How does effective dribbling give a Handball player an advantage during a game?
|
- Champion Creative Arts and Sports Grade 7 pg. 75
- Handballs, cones, open court or field - Digital reference clips (optional) |
- Practical performance
- Observation
- Peer feedback
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the jump shot technique with correct approach, take-off, ball release and follow-through - Execute a jump shot with accuracy targeting specific areas of the goal - Show determination, accuracy and fair play during jump shot practice |
In groups, learners are guided to:
- Watch teacher demonstrate the jump shot focusing on approach run, take-off height, ball grip and release angle - Practise jump shots from different positions in front of the goal focusing on technique over power - Observe each other and give structured feedback on approach, take-off, release and follow-through |
What are the key technical elements of an effective jump shot in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 76
- Handballs, goal posts, open court or field - Cones for positioning |
- Practical performance
- Observation
- Oral questions
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Handball - Combined Passing and Shooting Drill
|
By the end of the
lesson, the learner
should be able to:
- Combine passing, dribbling and shooting skills in structured drills - Apply correct technique and decision-making when choosing which pass or shot to use - Show teamwork, communication and positive sportsmanship during combined drills |
- Set up a passing relay course: dribble through cones, choose appropriate pass type to a teammate then attempt a shot at goal
- Rotate positions so every learner practises dribbling, passing and shooting in sequence - Discuss as a group which skills felt most natural and which need more practice; celebrate improvements |
How do dribbling, passing and shooting work together to create scoring opportunities in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 77
- Handballs, cones, goal posts, bibs - Open court or field |
- Practical performance
- Observation
- Peer feedback
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Handball - Handball Game
|
By the end of the
lesson, the learner
should be able to:
- Apply passing, dribbling and jump shot skills in a full Handball game - Demonstrate knowledge of Handball rules and fair play throughout the game - Show sportsmanship, teamwork and a positive attitude in game play |
In groups, learners are guided to:
- Organise into two teams of seven players; conduct a warm-up before the game begins - Play a full Handball game applying all skills; assign positions such as goalkeeper, defenders, midfielders and forwards - Cool down after the game; discuss as a team what went well and identify at least two areas for improvement |
How do all Handball skills combine in an actual game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 78
- Handballs, goal posts, bibs, cones - Open court or field |
- Practical performance
- Observation
- Oral questions
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Handball - Rules and Tactics
|
By the end of the
lesson, the learner
should be able to:
- State the basic rules of Handball including court dimensions, goal area rules and fouls - Identify simple attacking and defensive tactics used in Handball - Appreciate the importance of rules and tactics in making Handball fair and competitive |
In groups, learners are guided to:
- Read and discuss basic Handball rules: team composition, goal area, throw-off, dribbling rules and fouls - Watch a recorded Handball game clip and identify attacking tactics (fast break, screen) and defensive tactics (zone defence, man-to-man) - In groups, design a simple attacking play and demonstrate it in a short drill |
Why are rules and tactics essential for fair and effective play in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 79
- Digital devices for Handball game clips - Exercise books, court or field |
- Oral questions
- Observation
- Written assignment
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Rules and Tactics
|
By the end of the
lesson, the learner
should be able to:
- State the basic rules of Handball including court dimensions, goal area rules and fouls - Identify simple attacking and defensive tactics used in Handball - Appreciate the importance of rules and tactics in making Handball fair and competitive |
In groups, learners are guided to:
- Read and discuss basic Handball rules: team composition, goal area, throw-off, dribbling rules and fouls - Watch a recorded Handball game clip and identify attacking tactics (fast break, screen) and defensive tactics (zone defence, man-to-man) - In groups, design a simple attacking play and demonstrate it in a short drill |
Why are rules and tactics essential for fair and effective play in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 79
- Digital devices for Handball game clips - Exercise books, court or field |
- Oral questions
- Observation
- Written assignment
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Review of Passing, Dribbling, Shooting and Game Play
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Handball skills and concepts covered: passing types, dribbling, jump shot, rules and game play - Demonstrate at least two Handball skills in a practical assessment drill - Reflect on personal improvement and teamwork developed during the sub-strand |
In groups, learners are guided to:
- Review passing types, dribbling technique, jump shot phases, Handball rules and basic tactics - Complete a written assessment; perform a practical drill combining at least two skills for teacher assessment - In pairs, discuss personal improvement and what teamwork element was most valuable during the sub-strand |
What skills and understanding have you developed through playing Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 80
- Exercise books, handballs, court or field - Assessment worksheets |
- Written test
- Practical performance
- Observation
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Handball - Fitness and Warm-Up for Handball
|
By the end of the
lesson, the learner
should be able to:
- Describe the importance of warm-up and cool-down routines in preventing injury during Handball - Demonstrate a structured warm-up routine applicable to Handball including jogging, stretching and ball familiarisation - Value physical fitness and injury prevention as essential components of sports participation |
In groups, learners are guided to:
- Discuss why warm-up and cool-down routines are important in Handball and sports generally - Lead a structured warm-up: jog two laps, dynamic stretches (leg swings, arm circles), then ball familiarisation drills (toss and catch, solo dribble) - Cool down with static stretches after the activity and reflect on how the warm-up affected their performance readiness |
Why is a proper warm-up and cool-down essential for safe and effective Handball performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open field or court - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Parts of the Recorder and Posture
|
By the end of the
lesson, the learner
should be able to:
- Identify and label the parts of a descant recorder: mouthpiece, windway, thumb hole, finger holes and bell - Demonstrate correct posture and left-hand and right-hand positioning when holding the recorder - Show care and responsibility in handling the descant recorder |
- Identify and label the parts of the descant recorder using a diagram in the learner's book
- Study how to hold the recorder: left thumb on back hole, left index, middle and ring fingers on top three front holes; right thumb as support and right fingers on lower holes - Practise holding the recorder correctly in pairs; give each other feedback on hand position and posture |
How does correct posture and hand positioning affect the sound produced on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 82
- Descant recorders, parts diagram - Exercise books |
- Observation
- Oral questions
- Practical performance
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Finger Positions for C Major
|
By the end of the
lesson, the learner
should be able to:
- State the correct finger positions for each note of the C major scale on the descant recorder - Play the C major scale slowly and smoothly with clear tone and correct fingering - Show patience and persistence in practising correct finger placement |
In groups, learners are guided to:
- Study the finger position chart for C D E F G A B C' on the descant recorder: which holes are covered or uncovered for each note - Practise covering and uncovering holes for each note individually before combining into a scale - Play the C major scale slowly upward and downward ensuring each note is clear and each transition is smooth |
Why is correct finger placement essential for producing clear notes on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 83
- Descant recorders, finger position chart - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Sight Reading for Recorder
|
By the end of the
lesson, the learner
should be able to:
- Identify notes on the treble staff including time signature, key signature and highest and lowest notes before playing - Apply sight reading skills when preparing to play a melody on the recorder - Appreciate how sight reading skills improve readiness and accuracy in musical performance |
In groups, learners are guided to:
- Read the excerpt on sight reading the descant recorder and identify the features to check: notes, time signature, key signature and dynamics - Identify given notes on the treble staff from two examples and name each note on sol-fa and letter names - Write simple melodies in C major on the treble staff in exercise books and identify all features before attempting to play |
What should you check on a piece of sheet music before you begin playing on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 84
- Descant recorders, printed music notation - Exercise books, pencils |
- Written assignment
- Observation
- Oral questions
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Playing Melodies in C Major
|
By the end of the
lesson, the learner
should be able to:
- Play simple pieces in C major and 2/4 time on the descant recorder with clear tone and steady rhythm - Gradually increase playing speed from slow to comfortable tempo while maintaining note clarity - Show confidence and steady improvement in recorder performance |
In groups, learners are guided to:
- Warm up by playing the C major scale ascending and descending - Play each measure of three short pieces in C major slowly then combine measures; focus on clear tone and playing in time - Gradually increase speed as comfort improves; in groups, play all three pieces and give each other feedback on clarity and rhythm |
How does practising a piece slowly before increasing speed improve the quality of recorder performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 85
- Descant recorders, printed music notation - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Performing with Dynamics and Tempo
|
By the end of the
lesson, the learner
should be able to:
- Define dynamics (loud and soft) and tempo (fast and slow) as performance directions - Apply dynamics and tempo markings when performing a simple melody on the recorder - Appreciate how dynamics and tempo make a musical performance more expressive and engaging |
In groups, learners are guided to:
- Define performance directions and identify dynamics (forte, piano) and tempo (allegro, adagio) in a piece of music - Practise 'Rain Rain Go Away' on the recorder adding dynamics and tempo instructions gradually as comfort increases - Reflect on how adding dynamics and tempo changed the way the music sounded and what was most challenging about the exercise |
How do dynamics and tempo transform a simple melody into an expressive musical performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 86
- Descant recorders, printed music with performance directions - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo and Group Recorder Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a complete simple melody on the descant recorder from start to finish applying dynamics and tempo - Evaluate own and peers' recorder performances using criteria of tone clarity, rhythm, dynamics and tempo - Show confidence and pride in presenting a polished recorder performance to the class |
In groups, learners are guided to:
- In pairs, practise a chosen piece in C major and 2/4 time focusing on all performance directions - Present the best performance in class; teacher and peers observe for tone clarity, steady rhythm and correct application of dynamics and tempo - Note areas for improvement and record them in a personal improvement chart stored in the portfolio |
What does a polished recorder performance look and sound like?
|
- Champion Creative Arts and Sports Grade 7 pg. 87
- Descant recorders - Improvement chart, portfolio folder |
- Practical performance
- Observation
- Peer feedback
|
|
| 8 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Review of Fingering, Sight Reading and Performance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all recorder topics covered: parts, hand position, C major scale, sight reading, dynamics and tempo - Demonstrate competence in playing the C major scale and a short piece with performance directions - Reflect on personal growth and improvement as a recorder player |
In groups, learners are guided to:
- Review recorder parts, hand positioning, C major finger positions, sight reading steps and performance directions - Complete a written assessment on recorder knowledge and perform the C major scale and a short piece for the teacher - Write a reflection on the improvement chart noting progress made and areas still to develop |
What knowledge and performance skills have you developed through learning the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 88
- Descant recorders, exercise books - Assessment worksheets, improvement chart |
- Written test
- Practical performance
- Observation
|
|
| 8 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Review of Fingering, Sight Reading and Performance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all recorder topics covered: parts, hand position, C major scale, sight reading, dynamics and tempo - Demonstrate competence in playing the C major scale and a short piece with performance directions - Reflect on personal growth and improvement as a recorder player |
In groups, learners are guided to:
- Review recorder parts, hand positioning, C major finger positions, sight reading steps and performance directions - Complete a written assessment on recorder knowledge and perform the C major scale and a short piece for the teacher - Write a reflection on the improvement chart noting progress made and areas still to develop |
What knowledge and performance skills have you developed through learning the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 88
- Descant recorders, exercise books - Assessment worksheets, improvement chart |
- Written test
- Practical performance
- Observation
|
|
| 8 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Storytelling Techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe storytelling techniques: use of voice, gestures, audience involvement and props/costumes - Demonstrate use of voice and gesture in telling a short story - Appreciate storytelling as a powerful performing arts technique for communication and cultural preservation |
In groups, learners are guided to:
- Observe a live or recorded storytelling session and identify how voice, gestures, props and audience involvement are used - In pairs, practise telling a short story using exaggerated gestures and varied tone, pitch and volume for different characters - Ask a small audience questions or invite participation at key moments; discuss how each technique made the story more engaging |
How do storytelling techniques make a story more engaging and memorable?
|
- Champion Creative Arts and Sports Grade 7 pg. 92
- Digital devices for recorded storytelling - Props and costumes (optional), exercise books |
- Observation
- Oral questions
- Peer feedback
|
|
| 8 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Use of Voice
|
By the end of the
lesson, the learner
should be able to:
- Explain how tone, pitch and volume are used to convey characters and emotions in storytelling - Demonstrate distinct voice changes for at least three different characters in a story - Show confidence and creativity in using vocal variety to bring characters to life |
In groups, learners are guided to:
- Discuss how a storyteller uses tone (warmth, sternness), pitch (high for children, low for elders) and volume (loud for excitement, soft for mystery) in storytelling - In pairs, choose a short story and practise using different voice qualities for each character - Perform to a small group; audience gives feedback on whether character voices were distinct and believable |
How does varying tone, pitch and volume make characters in a story more believable?
|
- Champion Creative Arts and Sports Grade 7 pg. 93
- Short story texts - Exercise books |
- Oral performance
- Observation
- Peer feedback
|
|
| 8 | 5 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Gestures and Audience Engagement
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate effective use of gestures, facial expressions and body movement in storytelling - Apply at least two audience involvement strategies such as call-and-response and audience participation - Value the interactive nature of storytelling as a communal experience |
In groups, learners are guided to:
- Practise telling a story using exaggerated gestures and facial expressions to convey emotions; vary gesture size for different moments - Practise audience involvement strategies: ask the audience to roar when the lion appears, repeat a phrase or make a sound at key moments - List other ways to engage an audience and share ideas in class |
How do gestures, facial expressions and audience involvement bring a story to life?
|
- Champion Creative Arts and Sports Grade 7 pg. 93
- Short story texts - Open performance space |
- Oral performance
- Observation
- Peer feedback
|
|
| 9 | 1 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Analysing Storytelling
|
By the end of the
lesson, the learner
should be able to:
- Identify the elements used to evaluate a storytelling performance: theme, plot, confidence, voice, body, costume and audience involvement - Analyse a recorded storytelling performance using structured evaluation criteria - Appreciate the craft involved in a well-executed storytelling performance |
In groups, learners are guided to:
- Watch a recorded storytelling session and observe how the storyteller uses all techniques discussed in previous lessons - Discuss as a class what made the performance effective and what could be improved using evaluation criteria - Write a short analytical reflection on the most important elements of the performance and how they worked together |
What are the key elements that make a storytelling performance effective and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 94
- Digital devices for storytelling recordings - Exercise books, evaluation criteria |
- Written reflection
- Oral questions
- Observation
|
|
| 9 | 2 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Props, Costumes and Social Storytelling
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe how props and costumes enhance a storytelling performance - Explain how storytelling can be used to raise awareness and inspire change on social issues - Show creativity in choosing appropriate props and costumes for a story performance |
In groups, learners are guided to:
- Use digital or print resources to find examples of props and costumes used in storytelling and discuss how each enhances realism and narrative - Read examples of stories that address social issues and discuss how storytelling can educate, inspire and encourage action - Plan a short story addressing a social issue in school or community; outline the props, costumes and techniques to be used |
How can storytelling with the right props and costumes be used to address important issues in society?
|
- Champion Creative Arts and Sports Grade 7 pg. 95
- Digital/print resources, props and costumes (available items) - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 9 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Flipbook Animation Introduction
|
By the end of the
lesson, the learner
should be able to:
- Explain what a flipbook is and describe how sequential images create the illusion of movement - Identify the features of a good flipbook versus a poor one - Show curiosity and enthusiasm about animation as a form of visual storytelling |
In groups, learners are guided to:
- Read about the history of flipbooks and how they create animation through rapidly flipped sequential drawings - Compare features of a good flipbook (smooth animation, consistent positioning) with a poor one (choppy animation, inconsistent images) - Discuss how flipbooks relate to modern animation films; brainstorm a simple storyline for their own flipbook |
How does a flipbook create the illusion of movement through sequential drawings?
|
- Champion Creative Arts and Sports Grade 7 pg. 96
- Digital devices for flipbook examples - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 9 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Creating Flipbook Sequences
|
By the end of the
lesson, the learner
should be able to:
- Draw a sequence of images for a flipbook where each image shows a slight and consistent change from the previous one - Apply consistency in object positioning across frames using a ruler for alignment - Show creativity and patience in designing an engaging flipbook storyline |
In groups, learners are guided to:
- Write a brief storyline outline for the flipbook noting key actions per frame - Draw a sequence of 10–11 images showing gradual movement of a character or object; use a ruler to keep positions consistent across pages - Add details and expressions to make the story engaging; keep drawings clear and consistent for smooth animation |
How does careful sequencing of drawings create a convincing animation in a flipbook?
|
- Champion Creative Arts and Sports Grade 7 pg. 97
- Blank paper, pencils, erasers, coloured pencils, ruler - Flipbook sequence reference |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 9 | 5 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Completing and Presenting the Flipbook
|
By the end of the
lesson, the learner
should be able to:
- Bind completed flipbook pages neatly using stapling, string binding or gluing - Demonstrate the completed flipbook animation by riffling through pages at different speeds - Show pride in craftsmanship and ability to share a self-made animation with others |
In groups, learners are guided to:
- Make two simple flipbooks from A4 paper by folding; arrange sequence drawings in correct order and align properly - Bind pages using stapling, string or gluing; draw a bouncing circle on each page as a test animation - Hold the flipbook and riffle at different speeds to see how speed affects the smoothness of animation; present to the class |
Why does the speed of riffling through a flipbook affect the quality of the animation?
|
- Champion Creative Arts and Sports Grade 7 pg. 98
- Completed sequence drawings, good quality paper, scissors, glue or tape, stapler or hole punch and string - Coloured pencils or markers |
- Practical work assessment
- Observation
- Oral questions
|
|
| 10 | 1 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Rehearsing the Story
|
By the end of the
lesson, the learner
should be able to:
- Conduct vocal and physical warm-up exercises to prepare for a storytelling performance - Rehearse a 3–5 minute story applying all storytelling techniques: voice, gestures, facial expressions, pace and pauses - Show discipline and commitment in the rehearsal process |
In groups, learners are guided to:
- Perform vocal warm-up: deep breathing, humming, tongue twisters for diction - Perform physical warm-up: stretches, hand/foot shaking, facial expression exaggeration - Rehearse the story aloud focusing on character voices, gestures, recording the rehearsal and identifying areas for improvement from playback |
How do vocal and physical warm-ups help a storyteller prepare for a confident and expressive performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 99
- Written story/script, recording device (optional) - Comfortable clothing, open space, water bottle |
- Observation
- Oral questions
- Self-assessment
|
|
| 10 | 2 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Rehearsing the Story
|
By the end of the
lesson, the learner
should be able to:
- Conduct vocal and physical warm-up exercises to prepare for a storytelling performance - Rehearse a 3–5 minute story applying all storytelling techniques: voice, gestures, facial expressions, pace and pauses - Show discipline and commitment in the rehearsal process |
In groups, learners are guided to:
- Perform vocal warm-up: deep breathing, humming, tongue twisters for diction - Perform physical warm-up: stretches, hand/foot shaking, facial expression exaggeration - Rehearse the story aloud focusing on character voices, gestures, recording the rehearsal and identifying areas for improvement from playback |
How do vocal and physical warm-ups help a storyteller prepare for a confident and expressive performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 99
- Written story/script, recording device (optional) - Comfortable clothing, open space, water bottle |
- Observation
- Oral questions
- Self-assessment
|
|
| 10 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Story Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a 3–5 minute story before a class audience applying all storytelling techniques with confidence - Engage the audience effectively through eye contact, vocal variety, gestures and interaction - Value constructive feedback as a tool for growth as a performer |
In groups, learners are guided to:
- Warm up, then introduce the story confidently with a brief overview before beginning the performance - Perform the story using vocal variety, gestures, expressions, pauses and audience engagement throughout - Record the performance; after all performances write a reflection in the portfolio gathering feedback from teacher and classmates |
How does performing a story before a live audience develop confidence and communication skills?
|
- Champion Creative Arts and Sports Grade 7 pg. 100
- Written story/script, performance space, recording device (optional) - Portfolio folder |
- Practical performance
- Oral feedback
- Written reflection
|
|
| 10 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Review of Techniques, Flipbook and Performance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all topics covered in Storytelling and Animation: techniques, analysis, flipbook and performance - Answer assessment questions covering all sub-strand concepts - Reflect on personal growth as a storyteller and animator |
In groups, learners are guided to:
- Review storytelling techniques (voice, gestures, audience involvement, props), flipbook animation steps and performance evaluation criteria - Complete a written assessment covering all topics in the sub-strand - Share what was most enjoyable about the sub-strand and what they would like to develop further in storytelling |
What key skills have you developed as a storyteller and animator during this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 101
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Foot Trapping
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate ball trapping using the inside and sole of the foot with correct body positioning and cushioning - Apply the foot trap in a passing drill with a partner sending the ball at different speeds - Show responsibility and safety awareness during football practice |
- Watch teacher demonstrate foot trapping using the inside and sole of the foot; study technique diagrams in the learner's book
- In pairs, practise foot trapping: position in line with the ball, lift trapping foot with toes up, cushion impact by pulling foot back - Give each other feedback on positioning, cushioning technique and ball control after each trapping repetition |
Why is correct cushioning technique important when trapping a ball with the foot in Football?
|
- Champion Creative Arts and Sports Grade 7 pg. 106
- Footballs, open field - Cones for organisation |
- Practical performance
- Observation
- Oral questions
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Thigh and Chest Trapping
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate ball trapping using the thigh and chest with correct positioning and cushioning - Apply thigh and chest trapping techniques in partner drills with lofted passes - Value the importance of mastering multiple trapping techniques for versatile Football play |
In groups, learners are guided to:
- Watch teacher demonstrate thigh trap (raise thigh at upward angle, cushion by lowering as ball contacts) and chest trap (lift chest, lean back as ball contacts) - In pairs, practise thigh trapping with lofted passes focusing on positioning, angle and cushioning - Alternate between thigh and chest trapping; observe and give structured feedback on body position and control |
How do thigh and chest trapping techniques differ from foot trapping and when should each be used?
|
- Champion Creative Arts and Sports Grade 7 pg. 107
- Footballs, open field - Cones for drill organisation |
- Practical performance
- Observation
- Peer feedback
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Dribbling Skills
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate dribbling technique maintaining close ball control while moving and changing direction - Perform dribbling drills through a cone course alternating feet and varying speed - Value coordination, persistence and creative movement in developing Football dribbling skills |
In groups, learners are guided to:
- Watch demonstrations of dribbling technique and identify key elements: body lean, foot contact point and eye direction - Practise dribbling through a cone relay course alternating feet and changing direction on signal - Discuss how close ball control during dribbling creates space and scoring opportunities; share reflections with the team |
How does effective dribbling create space and advantage for a player in a Football game?
|
- Champion Creative Arts and Sports Grade 7 pg. 108
- Footballs, cones, open field - Digital reference clips (optional) |
- Practical performance
- Observation
- Peer feedback
|
|
| 11 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Low Drive Shooting
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the low drive shot with correct approach, foot contact, follow-through and targeting - Apply the low drive shot from different positions aiming for the bottom corners of the goal - Show determination, accuracy and responsible behaviour during shooting practice |
In groups, learners are guided to:
- Watch teacher demonstrate the low drive shot focusing on approach angle, non-kicking foot placement, laced contact and low follow-through - Practise low drive shots from different positions around the penalty area aiming for the bottom corners with power - Give structured feedback on approach, foot contact point, power and accuracy; discuss what makes the low drive effective |
What makes a low drive shot difficult for a goalkeeper to stop?
|
- Champion Creative Arts and Sports Grade 7 pg. 110
- Footballs, goal posts, open field - Cones for shooting positions |
- Practical performance
- Observation
- Oral questions
|
|
| 11 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Placed Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the placed shot with correct inside-foot contact, controlled power and corner targeting - Apply the placed shot from different positions aiming for specific goal areas - Appreciate the difference between power and placement as strategic shooting options |
In groups, learners are guided to:
- Review the difference between a low drive (power, low corners) and placed shot (precision, specific corners) from previous lesson notes - Practise placed shots using the inside of the foot from different positions; focus on accuracy over power and consistent follow-through - Give structured feedback comparing accuracy of placed shots from different positions; discuss when a placed shot is better than a low drive |
When should a footballer choose a placed shot over a low drive shot?
|
- Champion Creative Arts and Sports Grade 7 pg. 111
- Footballs, goal posts, cones, open field - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Football Game
|
By the end of the
lesson, the learner
should be able to:
- Apply trapping, dribbling and shooting skills in a full Football game - Demonstrate knowledge of Football positions and basic rules during the game - Show teamwork, sportsmanship and a positive attitude throughout game play |
In groups, learners are guided to:
- Organise into two teams; assign positions (goalkeeper, defenders, midfielders, forwards) and warm up before the game - Play a full Football game applying all skills learned; encourage each other throughout and follow the rules of fair play - Cool down after the game; discuss as a team what went well and identify two areas for improvement |
How do all Football skills come together in a real game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 112
- Footballs, goal posts, bibs, cones, open field - Whistle |
- Practical performance
- Observation
- Oral questions
|
|
| 12 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Making Improvised Crayons
|
By the end of the
lesson, the learner
should be able to:
- Describe the process of making improvised crayons from wax and natural or artificial pigments - Make improvised crayons following the correct steps under teacher guidance - Show care and responsibility when using heat-safe materials and equipment |
In groups, learners are guided to:
- Read the steps for making improvised crayons: melt wax, add pigments, stir, pour into moulds and allow to cool - In groups with teacher guidance, melt wax in a heat-safe container, mix chosen pigments and pour into ice cube trays or homemade moulds - Allow wax to harden, remove from moulds and discuss the final colour and shape of each crayon |
How can everyday materials like wax and pigments be transformed into art-making tools?
|
- Champion Creative Arts and Sports Grade 7 pg. 113
- Wax/used candles, pigments/food colouring, heat-safe container, stove or hot plate, moulds, stirring stick - Safety gloves, teacher supervision |
- Practical work assessment
- Observation
- Oral questions
|
|
| 12 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Making Improvised Crayons
|
By the end of the
lesson, the learner
should be able to:
- Describe the process of making improvised crayons from wax and natural or artificial pigments - Make improvised crayons following the correct steps under teacher guidance - Show care and responsibility when using heat-safe materials and equipment |
In groups, learners are guided to:
- Read the steps for making improvised crayons: melt wax, add pigments, stir, pour into moulds and allow to cool - In groups with teacher guidance, melt wax in a heat-safe container, mix chosen pigments and pour into ice cube trays or homemade moulds - Allow wax to harden, remove from moulds and discuss the final colour and shape of each crayon |
How can everyday materials like wax and pigments be transformed into art-making tools?
|
- Champion Creative Arts and Sports Grade 7 pg. 113
- Wax/used candles, pigments/food colouring, heat-safe container, stove or hot plate, moulds, stirring stick - Safety gloves, teacher supervision |
- Practical work assessment
- Observation
- Oral questions
|
|
| 12 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Crayon Etching Composition
|
By the end of the
lesson, the learner
should be able to:
- Create a crayon etching pictorial composition depicting a Football scene - Apply the etching technique by scratching through a black-coated surface to reveal vibrant crayon colours underneath - Show creativity, precision and teamwork in producing and discussing the finished composition |
In groups, learners are guided to:
- Cut out Football skill images from magazines or printouts; choose sturdy paper and fill it with vibrant crayon layers using improvised crayons from the previous lesson - Cover the entire crayon surface with black paint/ink mixed with dish soap and allow to dry completely - Use a toothpick or scratching tool to etch the Football scene into the black surface revealing the coloured layer; display and discuss compositions in class |
How does the crayon etching technique create an unexpected and vibrant visual effect?
|
- Champion Creative Arts and Sports Grade 7 pg. 114
- Improvised crayons, black paint or ink, dish soap, toothpicks, sturdy paper, scissors, magazines - Ruler, pencils |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 12 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Review of Trapping, Dribbling, Shooting and Crayon Etching
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Football skills and art concepts covered: foot/thigh/chest trapping, dribbling, low drive, placed shot, game play and crayon etching - Complete a practical Football skills drill and a written assessment - Reflect on personal skill development and the link between Football and visual art |
In groups, learners are guided to:
- Review all trapping techniques, dribbling steps, shooting types, Football rules and crayon etching process - Complete a written assessment on all Football topics; demonstrate two Football skills in a practical drill for the teacher - Complete the self-assessment checklist on all Football learning outcomes and discuss as a class the link between sport and visual art |
What is the connection between Football skills and visual art in this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 115
- Footballs, cones, open field - Self-assessment checklist, exercise books |
- Written test
- Practical performance
- Self-assessment
|
|
| 12 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Relay Drills and Team Tactics
|
By the end of the
lesson, the learner
should be able to:
- Execute a football relay drill combining dribbling and passing through a cone course - Describe simple attacking and defensive tactics in Football - Show teamwork, communication and encouragement during relay and tactical drills |
In groups, learners are guided to:
- Set up a relay course with cones; each team member dribbles through the cones then passes to the next teammate and continues until all have completed the course - Discuss simple tactics: creating space through movement, supporting the ball carrier and defensive positioning - Reflect on how teamwork helped complete the relay efficiently and which tactics were most effective |
How do relay drills and simple tactics develop teamwork and football intelligence?
|
- Champion Creative Arts and Sports Grade 7 pg. 116
- Footballs, cones, bibs, open field - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
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