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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Elements of a Story
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the four elements of a story: character, setting, plot and theme - Analyse short stories to extract each story element - Appreciate storytelling as a component of the performing arts |
In groups, learners are guided to:
- Read the guide on story elements and write a summary of character, setting, plot and theme in exercise books - Read Stories 1 and 2 and identify the four elements in each - Discuss how each element contributes to making a story meaningful and engaging |
What makes a story effective and engaging?
|
- Champion Creative Arts and Sports Grade 7 pg. 11
- Exercise books - Reference books |
- Oral questions
- Written assignment
- Observation
|
|
| 2 | 2 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Components of Fitness
|
By the end of the
lesson, the learner
should be able to:
- Define coordination and strength as components of fitness - Demonstrate exercises that develop coordination and strength - Value physical fitness as an essential component of Creative Arts and Sports |
In groups, learners are guided to:
- Define coordination and strength with practical everyday examples such as dribbling and lifting - Carry out dribbling, balance challenge, push-up and strength circuit exercises in the field - Create a personal fitness routine targeting coordination and strength for daily practice |
Why is physical fitness important in Creative Arts and Sports?
|
- Champion Creative Arts and Sports Grade 7 pg. 12
- Basketballs, weights or water bottles - Open field / sports ground |
- Observation
- Practical activity assessment
- Oral questions
|
|
| 2 | 3 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Note Values on a Treble Staff
|
By the end of the
lesson, the learner
should be able to:
- Identify and draw the four note values — semibreve, minim, crotchet and quaver — with their rests - Write note values on a treble staff observing correct stemming direction - Show interest in reading and writing musical notation |
In groups, learners are guided to:
- Discuss note values and their rests from Mr. Msamwa's explanation and complete a summary table - Draw the treble staff and write each note value with its corresponding rest observing stem direction - Draw a treble clef and practise placing note values correctly on the staff |
How are note values used to represent rhythm in music?
|
- Champion Creative Arts and Sports Grade 7 pg. 13
- Exercise books, pencils, rulers - Music notation charts |
- Written assignment
- Observation
- Oral questions
|
|
| 2 | 4 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Pitch on the Treble Staff
|
By the end of the
lesson, the learner
should be able to:
- Name the lines and spaces of the treble staff using correct letter names - Identify and explain the function of ledger lines on the staff - Appreciate the importance of pitch in musical performance and notation |
In groups, learners are guided to:
- Draw a treble staff and label lines (E G B D F) and spaces (F A C E) using the memory phrases - Add ledger lines and explain their purpose in extending the staff above and below - Relate the treble staff to the piano keyboard by drawing and labelling both |
How does naming pitches help in reading and writing music?
|
- Champion Creative Arts and Sports Grade 7 pg. 15
- Exercise books, pencils, rulers - Piano keyboard chart / diagram |
- Observation
- Oral questions
- Written assignment
|
|
| 2 | 5 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Pitch on the Treble Staff
|
By the end of the
lesson, the learner
should be able to:
- Name the lines and spaces of the treble staff using correct letter names - Identify and explain the function of ledger lines on the staff - Appreciate the importance of pitch in musical performance and notation |
In groups, learners are guided to:
- Draw a treble staff and label lines (E G B D F) and spaces (F A C E) using the memory phrases - Add ledger lines and explain their purpose in extending the staff above and below - Relate the treble staff to the piano keyboard by drawing and labelling both |
How does naming pitches help in reading and writing music?
|
- Champion Creative Arts and Sports Grade 7 pg. 15
- Exercise books, pencils, rulers - Piano keyboard chart / diagram |
- Observation
- Oral questions
- Written assignment
|
|
| 3 | 1 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Scale of C Major
|
By the end of the
lesson, the learner
should be able to:
- Construct the C major scale on the treble staff using semibreves from Middle C - Assign and sing the sol-fa names of the C major scale ascending and descending - Show enjoyment in singing and notating musical scales |
In groups, learners are guided to:
- Draw the treble staff, add a ledger line for Middle C, and notate the C major scale (C D E F G A B C') using semibreves - Label each note with its letter name and sol-fa name - In groups, sing the sol-fa syllables ascending and descending with teacher guidance |
How is the C major scale constructed and performed on the treble staff?
|
- Champion Creative Arts and Sports Grade 7 pg. 17
- Exercise books, pencils, rulers - Digital music tools / apps (optional) |
- Practical performance
- Observation
- Oral questions
|
|
| 3 | 2 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Grouping Notes in 2/4 Time
|
By the end of the
lesson, the learner
should be able to:
- Explain what a 2/4 time signature means and how it organises beats into bars - Group notes correctly into bars of 2/4 time using crotchets, quavers and minims - Appreciate the role of time signatures in creating musical rhythm and structure |
In groups, learners are guided to:
- Discuss the meaning of a 2/4 time signature and how it divides music into two-beat bars - Study a four-bar rhythmic pattern in 2/4 time and fill in measures with chosen rhythmic values - Group C major scale notes in 2/4 time and use notation apps to verify groupings |
How does a time signature organise music into a rhythmic pattern?
|
- Champion Creative Arts and Sports Grade 7 pg. 19
- Exercise books, pencils, rulers - Music notation apps (optional) |
- Written assignment
- Observation
- Oral questions
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Types of Balance in a Picture
|
By the end of the
lesson, the learner
should be able to:
- Define balance in art and distinguish between symmetrical, asymmetrical and radial balance - Identify types of balance in different drawings and explain how lines and tones contribute to each - Show interest in understanding how visual elements create harmony in artwork |
In groups, learners are guided to:
- In pairs, define balance in own words and discuss why it is important in drawing - Find three drawings or paintings and identify whether each uses symmetrical, asymmetrical or radial balance - Discuss how balance affects the overall feeling of each picture using guided questions on stability and emotions evoked |
What are the different types of balance and why are they important in drawing?
|
- Champion Creative Arts and Sports Grade 7 pg. 26
- Print or digital images of artworks - Exercise books, pencils |
- Oral questions
- Observation
- Written assignment
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Creating Drawings with Balance
|
By the end of the
lesson, the learner
should be able to:
- Define tone, form and space as elements used to create balance in drawing - Sketch two drawings — one showing symmetrical and one showing asymmetrical balance using lines and tones - Appreciate how thoughtful arrangement of art elements creates harmony |
In groups, learners are guided to:
- Read and match definitions of tone, form and space to their correct meanings - Using pencils on blank paper, sketch a symmetrical drawing ensuring both sides mirror each other - Create a second drawing with asymmetrical balance; discuss with a classmate how balance was achieved in each |
How do lines, tones and forms work together to create balance in a drawing?
|
- Champion Creative Arts and Sports Grade 7 pg. 27
- Pencils, blank paper, erasers - Digital or print reference images |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Drawing Overlapping Objects
|
By the end of the
lesson, the learner
should be able to:
- Describe the techniques of toning, blending and smudging in pencil drawing - Draw overlapping objects demonstrating balance, negative space and tonal variation - Show patience and attention to detail in developing a three-dimensional drawing |
In groups, learners are guided to:
- Read definitions of toning, blending and smudging and match each to the correct art term - Set up overlapping balls and sketch their shapes, adding tone to give three-dimensional appearance and blending shadows with a cloth - Compare drawings with classmates and discuss how balance, negative space and tonal variation were achieved |
How do tone and blending create a sense of depth and balance in a drawing?
|
- Champion Creative Arts and Sports Grade 7 pg. 28
- Pencils, charcoal, erasers, blending tools - Balls of different sizes for still-life setup |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Cool and Warm Colours
Drawing and Painting - Colour Analysis Chart |
By the end of the
lesson, the learner
should be able to:
- Classify colours as warm or cool and explain how each affects the mood and depth of a picture - Identify recession and progression effects of cool and warm colours in artwork - Appreciate how colour temperature is used to express emotion in visual art |
In groups, learners are guided to:
- Study a colour wheel poster and list warm colours (reds, oranges, yellows) and cool colours (blues, greens, purples) - Look at a picture and identify warm and cool colours, discussing which seem to come forward and which recede - Discuss how warm colours express excitement and energy while cool colours express calmness and peace |
How do warm and cool colours affect the mood and depth of a picture?
|
- Champion Creative Arts and Sports Grade 7 pg. 30
- Colour wheel chart, digital/print images - Exercise books - Champion Creative Arts and Sports Grade 7 pg. 31 - Digital devices or print images - Exercise books, coloured pencils |
- Oral questions
- Written assignment
- Observation
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Painting a Seascape
|
By the end of the
lesson, the learner
should be able to:
- Apply warm or cool colours to paint an imaginative seascape depicting mood through colour temperature - Demonstrate blending and layering of colours to create depth and atmosphere in a painting - Show creativity and craftsmanship in completing a seascape painting |
In groups, learners are guided to:
- Decide on warm or cool colour palette and find reference seascape images from digital or print resources - Paint the sky and water blending from darker to lighter tones and add details such as sun, moon and wave reflections - Clean brushes after completing the painting; compare warm and cool seascapes and discuss how colour temperature changed the mood |
How does choosing warm or cool colours change the mood of a painting?
|
- Champion Creative Arts and Sports Grade 7 pg. 32
- Paints, brushes, palette, water, paper or canvas - Digital/print seascape references |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Mounting and Displaying Artworks
|
By the end of the
lesson, the learner
should be able to:
- Define mounting and displaying and explain why they are important in presenting artwork professionally - Mount a completed painting or drawing neatly on a cardboard backing with a border - Show responsibility and pride in presenting and protecting their own artwork |
In groups, learners are guided to:
- Read and discuss definitions of mounting, displaying and art critique - Cut backing cardboard slightly larger than the artwork to create a border and attach the artwork securely using glue or tape - Arrange mounted artworks in a display space grouping similar themes together and adding labels with artist name and title |
Why is it important to mount and display artwork carefully and professionally?
|
- Champion Creative Arts and Sports Grade 7 pg. 34
- Completed paintings/drawings, cardboard, glue or tape, scissors, ruler - Display space, bulletin board or wall |
- Practical work assessment
- Observation
- Oral questions
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Art Critique and Appreciation
Rhythm - Rhythm and Note Values |
By the end of the
lesson, the learner
should be able to:
- Explain what art critique means and apply it when giving constructive feedback on displayed artworks - Present own artwork to the class describing inspiration, materials and feelings - Develop genuine appreciation for the creative efforts of self and others |
In groups, learners are guided to:
- Conduct a gallery walk observing displayed artworks and note what is admired about each piece - Take turns presenting artwork to class answering guided questions on title, inspiration, materials and feelings - Write a short reflection about the art appreciation session and share with a parent or guardian |
How does critiquing and presenting artwork deepen appreciation for creative effort?
|
- Champion Creative Arts and Sports Grade 7 pg. 36
- Displayed artworks, exercise books - Assessment rubric - Champion Creative Arts and Sports Grade 7 pg. 40 - Exercise books, pencils - Percussion instruments (optional) |
- Oral presentation
- Written reflection
- Peer feedback
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Bar Lines, Beams and Note Grouping
|
By the end of the
lesson, the learner
should be able to:
- Define bar line, double bar line and beam and explain their role in note grouping - Group notes correctly into bars using bar lines, double bar lines and beams in 2/4 time - Appreciate how organised note grouping makes music easier to read and perform |
In groups, learners are guided to:
- Define bar line, double bar line and beam and explain how beaming quavers together makes reading easier - Complete a table identifying note names, French rhythm names, note symbols and rests from given examples - Identify the number of bars in given rhythmic patterns and clap the rhythms while reciting their French rhythm names |
How do bar lines and beams help organise music so it is easier to read and perform?
|
- Champion Creative Arts and Sports Grade 7 pg. 42
- Exercise books, pencils, rulers - Music notation charts |
- Written assignment
- Observation
- Oral questions
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Composing a Four-Bar Rhythmic Pattern
|
By the end of the
lesson, the learner
should be able to:
- Compose an original four-bar rhythmic pattern in 2/4 time using crotchets, quavers and rests - Apply principles of repetition and variation when composing rhythmic patterns - Show creativity and confidence in sharing original rhythmic compositions |
In groups, learners are guided to:
- Study examples of four-bar rhythmic patterns in 2/4 time and identify note groupings per bar - Draw four bars on paper and compose an original rhythmic pattern ensuring each bar has a total of two crotchet beats - Share four-bar rhythmic pattern with the class on the treble staff; give and receive feedback on accuracy and creativity |
How do repetition and variation make a composed rhythmic pattern more interesting?
|
- Champion Creative Arts and Sports Grade 7 pg. 44
- Exercise books, pencils, rulers - Music notation resources |
- Written assignment
- Observation
- Peer feedback
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Composing a Four-Bar Rhythmic Pattern
|
By the end of the
lesson, the learner
should be able to:
- Compose an original four-bar rhythmic pattern in 2/4 time using crotchets, quavers and rests - Apply principles of repetition and variation when composing rhythmic patterns - Show creativity and confidence in sharing original rhythmic compositions |
In groups, learners are guided to:
- Study examples of four-bar rhythmic patterns in 2/4 time and identify note groupings per bar - Draw four bars on paper and compose an original rhythmic pattern ensuring each bar has a total of two crotchet beats - Share four-bar rhythmic pattern with the class on the treble staff; give and receive feedback on accuracy and creativity |
How do repetition and variation make a composed rhythmic pattern more interesting?
|
- Champion Creative Arts and Sports Grade 7 pg. 44
- Exercise books, pencils, rulers - Music notation resources |
- Written assignment
- Observation
- Peer feedback
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Composing a Four-Bar Rhythmic Pattern
|
By the end of the
lesson, the learner
should be able to:
- Compose an original four-bar rhythmic pattern in 2/4 time using crotchets, quavers and rests - Apply principles of repetition and variation when composing rhythmic patterns - Show creativity and confidence in sharing original rhythmic compositions |
In groups, learners are guided to:
- Study examples of four-bar rhythmic patterns in 2/4 time and identify note groupings per bar - Draw four bars on paper and compose an original rhythmic pattern ensuring each bar has a total of two crotchet beats - Share four-bar rhythmic pattern with the class on the treble staff; give and receive feedback on accuracy and creativity |
How do repetition and variation make a composed rhythmic pattern more interesting?
|
- Champion Creative Arts and Sports Grade 7 pg. 44
- Exercise books, pencils, rulers - Music notation resources |
- Written assignment
- Observation
- Peer feedback
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Writing and Performing Rhythms on Monotone
|
By the end of the
lesson, the learner
should be able to:
- Write rhythmic patterns in 2/4 time using correct bar lines and double bar lines - Perform rhythmic patterns on monotone by stamping or tapping while reciting French rhythm names - Appreciate the precision needed in both writing and reading musical rhythm |
In groups, learners are guided to:
- Discuss the meaning of monotone and identify strong and weak beats in 2/4 time - Study given rhythms and group them using bar lines and double bar lines correctly in 2/4 time - Write French rhythm names for each pattern then stamp or tap while reciting them; listen to teacher-played rhythms, clap back and write the note symbols |
How does writing rhythmic patterns in 2/4 time develop accuracy in music performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 45
- Exercise books, pencils - Percussion instruments or body percussion |
- Oral performance
- Written assignment
- Observation
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Song-Based Rhythm Identification
|
By the end of the
lesson, the learner
should be able to:
- Identify accented syllables, bar lines and beats per bar in a song - Write the rhythm of a song by noting the note value above each syllable - Show enjoyment in discovering rhythmic structure through song |
In groups, learners are guided to:
- Sing 'Bounce High' with teacher guidance and write the words in exercise books - Count the beats, underline accented syllables and place bar lines before each accented note - Write the rhythm of the song placing the note value above each syllable and count beats per bar as beat 1 and 2 |
How does a song help us understand how rhythm and bar lines work in 2/4 time?
|
- Champion Creative Arts and Sports Grade 7 pg. 46
- Exercise books, pencils - Percussion instruments (optional) |
- Oral performance
- Written assignment
- Observation
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Sight Reading Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Identify the features to observe when sight reading a rhythmic pattern: time signature, note values and repeated notes - Sight read given rhythmic patterns on a monotone pitch by clapping then humming - Show confidence and consistency when performing rhythmic patterns from notation |
In groups, learners are guided to:
- Read and discuss the definition of sight reading and the three features to observe before reading a pattern - In groups, clap or tap five different rhythmic patterns in 2/4 time, then perform each on a monotone - In pairs, take turns sight reading different patterns from print or digital resources and give feedback on timing and consistency |
What skills are needed to sight read a rhythmic pattern accurately and confidently?
|
- Champion Creative Arts and Sports Grade 7 pg. 48
- Exercise books, music notation charts - Percussion instruments or body percussion |
- Oral performance
- Observation
- Peer feedback
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Sight Reading Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Identify the features to observe when sight reading a rhythmic pattern: time signature, note values and repeated notes - Sight read given rhythmic patterns on a monotone pitch by clapping then humming - Show confidence and consistency when performing rhythmic patterns from notation |
In groups, learners are guided to:
- Read and discuss the definition of sight reading and the three features to observe before reading a pattern - In groups, clap or tap five different rhythmic patterns in 2/4 time, then perform each on a monotone - In pairs, take turns sight reading different patterns from print or digital resources and give feedback on timing and consistency |
What skills are needed to sight read a rhythmic pattern accurately and confidently?
|
- Champion Creative Arts and Sports Grade 7 pg. 48
- Exercise books, music notation charts - Percussion instruments or body percussion |
- Oral performance
- Observation
- Peer feedback
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Creating and Performing Original Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Create a four-bar rhythmic pattern using claps, snaps or percussion instruments - Perform their rhythmic pattern confidently in front of the class - Value teamwork, creativity and positive feedback in musical performance |
In groups, learners are guided to:
- In pairs, create an original four-bar rhythmic pattern using body percussion or available instruments - Practise the pattern several times ensuring accuracy and steady tempo before performing - Perform for the class; after each performance give positive and constructive feedback focusing on rhythm, creativity and timing |
How does creating and performing your own rhythm develop musical creativity and confidence?
|
- Champion Creative Arts and Sports Grade 7 pg. 49
- Percussion instruments, clapping, snapping - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Creating and Performing Original Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Create a four-bar rhythmic pattern using claps, snaps or percussion instruments - Perform their rhythmic pattern confidently in front of the class - Value teamwork, creativity and positive feedback in musical performance |
In groups, learners are guided to:
- In pairs, create an original four-bar rhythmic pattern using body percussion or available instruments - Practise the pattern several times ensuring accuracy and steady tempo before performing - Perform for the class; after each performance give positive and constructive feedback focusing on rhythm, creativity and timing |
How does creating and performing your own rhythm develop musical creativity and confidence?
|
- Champion Creative Arts and Sports Grade 7 pg. 49
- Percussion instruments, clapping, snapping - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Review of Note Values, Composition and Sight Reading
|
By the end of the
lesson, the learner
should be able to:
- Summarise all topics covered in Rhythm: note values, bar lines, composing in 2/4, monotone performance and sight reading - Answer assessment questions covering all concepts in the sub-strand - Reflect on personal growth and skill gained in musical rhythm |
In groups, learners are guided to:
- Review note values and French rhythm names, bar lines and beams, composing in 2/4, monotone performance and sight reading - Complete a written assessment covering all topics in the sub-strand - In pairs, share what was most interesting and what they would like to improve in their rhythm performance |
What key skills and knowledge have you gained from studying Rhythm?
|
- Champion Creative Arts and Sports Grade 7 pg. 40
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Sol-fa Notation and Qualities of Melody
|
By the end of the
lesson, the learner
should be able to:
- Identify the sol-fa notations of the C major scale and relate them to staff notation - Describe the three qualities of a good melody: singable leaps of a 3rd, identifiable shape and starting/ending on tonic triad notes - Show appreciation for the structure and beauty of a well-composed melody |
In groups, learners are guided to:
- Sing 'Twinkle Twinkle Little Star' and describe the song using melody vocabulary - Identify sol-fa notations (d r m f s l t d') on given notes on the treble staff and write them in exercise books - Discuss and copy the three qualities of a good melody identifying examples of each in familiar songs |
What are the qualities that make a melody pleasant to sing and easy to remember?
|
- Champion Creative Arts and Sports Grade 7 pg. 66
- Exercise books, pencils, rulers - Music notation charts |
- Oral questions
- Written assignment
- Observation
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Sol-fa Notation and Qualities of Melody
|
By the end of the
lesson, the learner
should be able to:
- Identify the sol-fa notations of the C major scale and relate them to staff notation - Describe the three qualities of a good melody: singable leaps of a 3rd, identifiable shape and starting/ending on tonic triad notes - Show appreciation for the structure and beauty of a well-composed melody |
In groups, learners are guided to:
- Sing 'Twinkle Twinkle Little Star' and describe the song using melody vocabulary - Identify sol-fa notations (d r m f s l t d') on given notes on the treble staff and write them in exercise books - Discuss and copy the three qualities of a good melody identifying examples of each in familiar songs |
What are the qualities that make a melody pleasant to sing and easy to remember?
|
- Champion Creative Arts and Sports Grade 7 pg. 66
- Exercise books, pencils, rulers - Music notation charts |
- Oral questions
- Written assignment
- Observation
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melody Contour and Shape
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe different melodic contours: rising, falling, rising-falling, flat-rising and falling-rising - Analyse familiar melodies to describe their shape and contour - Appreciate how melodic shape gives music its distinctive character and emotional direction |
In groups, learners are guided to:
- Study diagrams of the eight melodic contour shapes: rising, rising-flat, rising-falling, flat-rising, flat-falling, falling-rising, falling-flat and falling - Analyse the melody of 'Twinkle Twinkle Little Star' and identify its contour shape across the phrases - In pairs, describe the contour of two other familiar songs and share observations with the class |
How does the contour or shape of a melody affect the emotion and character of a song?
|
- Champion Creative Arts and Sports Grade 7 pg. 67
- Exercise books, pencils - Music notation charts / digital resources |
- Oral questions
- Written assignment
- Observation
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Tonic Triad and Melody Structure
|
By the end of the
lesson, the learner
should be able to:
- Define the tonic triad and identify its notes (C, E, G) in the scale of C major - Explain why melodies in C major should start on doh, mi or so and end on doh - Value understanding of melodic structure as a foundation for composing music |
In groups, learners are guided to:
- Define tonic triad and explain that it combines three notes each an interval of a 3rd apart: C (doh), E (mi) and G (so) - Identify the starting and ending notes of familiar melodies and check whether they follow the rule of starting on doh, mi or so and ending on doh - Write out the C major scale on the treble staff and label each note with its sol-fa name; circle the tonic triad notes |
Why must a good melody in C major start on doh, mi or so and always end on doh?
|
- Champion Creative Arts and Sports Grade 7 pg. 68
- Exercise books, pencils, rulers - Music notation charts |
- Written assignment
- Oral questions
- Observation
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Melody - Tonic Triad and Melody Structure
|
By the end of the
lesson, the learner
should be able to:
- Define the tonic triad and identify its notes (C, E, G) in the scale of C major - Explain why melodies in C major should start on doh, mi or so and end on doh - Value understanding of melodic structure as a foundation for composing music |
In groups, learners are guided to:
- Define tonic triad and explain that it combines three notes each an interval of a 3rd apart: C (doh), E (mi) and G (so) - Identify the starting and ending notes of familiar melodies and check whether they follow the rule of starting on doh, mi or so and ending on doh - Write out the C major scale on the treble staff and label each note with its sol-fa name; circle the tonic triad notes |
Why must a good melody in C major start on doh, mi or so and always end on doh?
|
- Champion Creative Arts and Sports Grade 7 pg. 68
- Exercise books, pencils, rulers - Music notation charts |
- Written assignment
- Oral questions
- Observation
|
|
| 8 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Composing a Melody in C Major
|
By the end of the
lesson, the learner
should be able to:
- Compose an original melody in C major on the treble staff applying all three qualities of a good melody - Ensure the composed melody starts on doh, mi or so, uses leaps of no more than a 3rd and ends on doh - Show creativity and pride in composing and notating an original musical piece |
In groups, learners are guided to:
- Review the three qualities of a good melody: singable leaps of a 3rd, identifiable contour and tonic triad start/end - Compose a 4–8 note original melody in C major on the treble staff observing all three qualities - Share the composed melody with classmates by singing it on sol-fa syllables and invite feedback on its structure and qualities |
How do the rules of melody writing guide you in creating an original musical composition?
|
- Champion Creative Arts and Sports Grade 7 pg. 69
- Exercise books, pencils, rulers - Music notation software/apps (optional) |
- Practical performance
- Written assignment
- Peer feedback
|
|
| 8 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Performing Melodies
|
By the end of the
lesson, the learner
should be able to:
- Sing composed melodies with correct sol-fa names, pitch and rhythm - Evaluate own and peers' melody performances using criteria of pitch accuracy, rhythm and expression - Show confidence and enjoyment in performing original melodic compositions |
In groups, learners are guided to:
- Practise singing composed melodies using sol-fa syllables focusing on correct pitch and rhythm - Perform melodies in pairs or groups for the class applying appropriate expression and steady tempo - Give and receive structured feedback on each performance noting pitch accuracy, rhythmic steadiness and expressiveness |
How does performing your own composed melody develop musical confidence and expression?
|
- Champion Creative Arts and Sports Grade 7 pg. 70
- Exercise books with composed melodies - Digital recording device (optional) |
- Oral performance
- Observation
- Peer feedback
|
|
| 8 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Performing Melodies
|
By the end of the
lesson, the learner
should be able to:
- Sing composed melodies with correct sol-fa names, pitch and rhythm - Evaluate own and peers' melody performances using criteria of pitch accuracy, rhythm and expression - Show confidence and enjoyment in performing original melodic compositions |
In groups, learners are guided to:
- Practise singing composed melodies using sol-fa syllables focusing on correct pitch and rhythm - Perform melodies in pairs or groups for the class applying appropriate expression and steady tempo - Give and receive structured feedback on each performance noting pitch accuracy, rhythmic steadiness and expressiveness |
How does performing your own composed melody develop musical confidence and expression?
|
- Champion Creative Arts and Sports Grade 7 pg. 70
- Exercise books with composed melodies - Digital recording device (optional) |
- Oral performance
- Observation
- Peer feedback
|
|
| 8 | 4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Review of Sol-fa, Contour, Tonic Triad and Composition
|
By the end of the
lesson, the learner
should be able to:
- Summarise all concepts covered in Melody: sol-fa notation, contour shapes, tonic triad and composition rules - Answer assessment questions covering all Melody topics - Reflect on how understanding melody has improved their musicality |
In groups, learners are guided to:
- Review sol-fa notations, melodic contour shapes, the tonic triad, three qualities of a good melody and composition steps - Complete a written assessment and perform a short melody for the teacher - In pairs, share what was most interesting about composing melody and what they found most challenging |
What key skills and knowledge have you gained from studying Melody?
|
- Champion Creative Arts and Sports Grade 7 pg. 71
- Exercise books - Assessment worksheets |
- Written test
- Oral performance
- Observation
|
|
| 8 | 5 |
Creating and Performing in Creative Arts and Sports
|
Melody - Extended Melody Creation and Performance
|
By the end of the
lesson, the learner
should be able to:
- Extend a previously composed melody by adding more bars following the rules of good melody writing - Perform the extended melody to the class with improved confidence and expression - Appreciate the creative process involved in developing and refining a melody |
In groups, learners are guided to:
- Revisit the composed melody from a previous lesson and extend it by adding two more bars observing the three melody qualities - Practise performing the extended melody using sol-fa syllables then on a comfortable pitch - Perform the extended melody for the class; discuss how the extension changed the character and feel of the melody |
How does extending and refining a melody develop your compositional and performance skills?
|
- Champion Creative Arts and Sports Grade 7 pg. 72
- Exercise books with original composed melodies - Digital music tools/apps (optional) |
- Practical performance
- Written assignment
- Observation
|
|
| 9 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Portfolio Completion and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Compile all Melody work including notation, compositions and reflections into a portfolio - Write a personal reflection on what was learnt in the Melody sub-strand - Value keeping a portfolio as a record of creative and musical growth |
In groups, learners are guided to:
- Organise all melody exercises, composed melodies and performance notes into the portfolio folder - Write a reflection addressing: what was learnt about melody, which activity was most enjoyable and how melody skills apply in real life - Share the portfolio with a classmate and give each other encouraging feedback on the musical journey |
How does keeping a portfolio help you track and celebrate your growth in music?
|
- Champion Creative Arts and Sports Grade 7 pg. 73
- Portfolio folder, completed melody work - Exercise books |
- Portfolio assessment
- Written reflection
- Peer feedback
|
|
| 9 | 1-2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Portfolio Completion and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Compile all Melody work including notation, compositions and reflections into a portfolio - Write a personal reflection on what was learnt in the Melody sub-strand - Value keeping a portfolio as a record of creative and musical growth |
In groups, learners are guided to:
- Organise all melody exercises, composed melodies and performance notes into the portfolio folder - Write a reflection addressing: what was learnt about melody, which activity was most enjoyable and how melody skills apply in real life - Share the portfolio with a classmate and give each other encouraging feedback on the musical journey |
How does keeping a portfolio help you track and celebrate your growth in music?
|
- Champion Creative Arts and Sports Grade 7 pg. 73
- Portfolio folder, completed melody work - Exercise books |
- Portfolio assessment
- Written reflection
- Peer feedback
|
|
| 9-10 |
Mid term |
||||||||
| 10 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Passing Skills
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the four Handball passing skills: side, jump, overhead and flick pass - Demonstrate correct side pass technique aiming for the partner's chest with accurate follow-through - Show teamwork and communication during passing drills |
In groups, learners are guided to:
- Watch video clips or live demonstration of different Handball passing types and list each type identified - In pairs, stand shoulder-width apart and practise the side pass focusing on grip, aim and follow-through direction - Discuss how each pass type can be used effectively during a game; share findings with the class |
How do effective passing skills contribute to teamwork and ball control in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open court or field - Digital devices for reference clips |
- Practical performance
- Observation
- Oral questions
|
|
| 10 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Passing Skills
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the four Handball passing skills: side, jump, overhead and flick pass - Demonstrate correct side pass technique aiming for the partner's chest with accurate follow-through - Show teamwork and communication during passing drills |
In groups, learners are guided to:
- Watch video clips or live demonstration of different Handball passing types and list each type identified - In pairs, stand shoulder-width apart and practise the side pass focusing on grip, aim and follow-through direction - Discuss how each pass type can be used effectively during a game; share findings with the class |
How do effective passing skills contribute to teamwork and ball control in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open court or field - Digital devices for reference clips |
- Practical performance
- Observation
- Oral questions
|
|
| 10 | 4 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Pass and Overhead Pass
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the jump pass and overhead pass with correct take-off, ball control and release - Apply jump and overhead passes appropriately in drill situations - Value precision, timing and coordination in developing advanced Handball passing skills |
In groups, learners are guided to:
- Observe teacher demonstration of jump pass (take-off, ball grip, mid-air release) and overhead pass (two-hand grip above head, forward release) - Practise both passes in pairs focusing on footwork, timing and accuracy of release - Give each other structured feedback on body position, grip, release point and accuracy after each drill |
When would a player use a jump pass or overhead pass instead of a side pass in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 75
- Handballs, open court or field - Cones for drill organisation |
- Practical performance
- Observation
- Peer feedback
|
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Handball - Dribbling Skills
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate dribbling technique in Handball including ball control while moving forward and changing direction - Perform dribbling drills showing speed variation and change of direction - Value coordination and persistence in developing Handball dribbling skills |
In groups, learners are guided to:
- Watch demonstrations of dribbling technique and identify the key elements: body position, hand control and movement direction - Practise dribbling the ball while moving forward, sideways and changing direction around cones - Discuss as a team how dribbling combined with passing helps create scoring opportunities; share observations |
How does effective dribbling give a Handball player an advantage during a game?
|
- Champion Creative Arts and Sports Grade 7 pg. 75
- Handballs, cones, open court or field - Digital reference clips (optional) |
- Practical performance
- Observation
- Peer feedback
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the jump shot technique with correct approach, take-off, ball release and follow-through - Execute a jump shot with accuracy targeting specific areas of the goal - Show determination, accuracy and fair play during jump shot practice |
In groups, learners are guided to:
- Watch teacher demonstrate the jump shot focusing on approach run, take-off height, ball grip and release angle - Practise jump shots from different positions in front of the goal focusing on technique over power - Observe each other and give structured feedback on approach, take-off, release and follow-through |
What are the key technical elements of an effective jump shot in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 76
- Handballs, goal posts, open court or field - Cones for positioning |
- Practical performance
- Observation
- Oral questions
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the jump shot technique with correct approach, take-off, ball release and follow-through - Execute a jump shot with accuracy targeting specific areas of the goal - Show determination, accuracy and fair play during jump shot practice |
In groups, learners are guided to:
- Watch teacher demonstrate the jump shot focusing on approach run, take-off height, ball grip and release angle - Practise jump shots from different positions in front of the goal focusing on technique over power - Observe each other and give structured feedback on approach, take-off, release and follow-through |
What are the key technical elements of an effective jump shot in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 76
- Handballs, goal posts, open court or field - Cones for positioning |
- Practical performance
- Observation
- Oral questions
|
|
| 11 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Combined Passing and Shooting Drill
|
By the end of the
lesson, the learner
should be able to:
- Combine passing, dribbling and shooting skills in structured drills - Apply correct technique and decision-making when choosing which pass or shot to use - Show teamwork, communication and positive sportsmanship during combined drills |
- Set up a passing relay course: dribble through cones, choose appropriate pass type to a teammate then attempt a shot at goal
- Rotate positions so every learner practises dribbling, passing and shooting in sequence - Discuss as a group which skills felt most natural and which need more practice; celebrate improvements |
How do dribbling, passing and shooting work together to create scoring opportunities in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 77
- Handballs, cones, goal posts, bibs - Open court or field |
- Practical performance
- Observation
- Peer feedback
|
|
| 11 | 4 |
Creating and Performing in Creative Arts and Sports
|
Handball - Combined Passing and Shooting Drill
|
By the end of the
lesson, the learner
should be able to:
- Combine passing, dribbling and shooting skills in structured drills - Apply correct technique and decision-making when choosing which pass or shot to use - Show teamwork, communication and positive sportsmanship during combined drills |
- Set up a passing relay course: dribble through cones, choose appropriate pass type to a teammate then attempt a shot at goal
- Rotate positions so every learner practises dribbling, passing and shooting in sequence - Discuss as a group which skills felt most natural and which need more practice; celebrate improvements |
How do dribbling, passing and shooting work together to create scoring opportunities in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 77
- Handballs, cones, goal posts, bibs - Open court or field |
- Practical performance
- Observation
- Peer feedback
|
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Handball - Handball Game
|
By the end of the
lesson, the learner
should be able to:
- Apply passing, dribbling and jump shot skills in a full Handball game - Demonstrate knowledge of Handball rules and fair play throughout the game - Show sportsmanship, teamwork and a positive attitude in game play |
In groups, learners are guided to:
- Organise into two teams of seven players; conduct a warm-up before the game begins - Play a full Handball game applying all skills; assign positions such as goalkeeper, defenders, midfielders and forwards - Cool down after the game; discuss as a team what went well and identify at least two areas for improvement |
How do all Handball skills combine in an actual game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 78
- Handballs, goal posts, bibs, cones - Open court or field |
- Practical performance
- Observation
- Oral questions
|
|
| 12 | 1 |
Creating and Performing in Creative Arts and Sports
|
Handball - Rules and Tactics
|
By the end of the
lesson, the learner
should be able to:
- State the basic rules of Handball including court dimensions, goal area rules and fouls - Identify simple attacking and defensive tactics used in Handball - Appreciate the importance of rules and tactics in making Handball fair and competitive |
In groups, learners are guided to:
- Read and discuss basic Handball rules: team composition, goal area, throw-off, dribbling rules and fouls - Watch a recorded Handball game clip and identify attacking tactics (fast break, screen) and defensive tactics (zone defence, man-to-man) - In groups, design a simple attacking play and demonstrate it in a short drill |
Why are rules and tactics essential for fair and effective play in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 79
- Digital devices for Handball game clips - Exercise books, court or field |
- Oral questions
- Observation
- Written assignment
|
|
| 12 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Rules and Tactics
|
By the end of the
lesson, the learner
should be able to:
- State the basic rules of Handball including court dimensions, goal area rules and fouls - Identify simple attacking and defensive tactics used in Handball - Appreciate the importance of rules and tactics in making Handball fair and competitive |
In groups, learners are guided to:
- Read and discuss basic Handball rules: team composition, goal area, throw-off, dribbling rules and fouls - Watch a recorded Handball game clip and identify attacking tactics (fast break, screen) and defensive tactics (zone defence, man-to-man) - In groups, design a simple attacking play and demonstrate it in a short drill |
Why are rules and tactics essential for fair and effective play in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 79
- Digital devices for Handball game clips - Exercise books, court or field |
- Oral questions
- Observation
- Written assignment
|
|
| 12 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Review of Passing, Dribbling, Shooting and Game Play
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Handball skills and concepts covered: passing types, dribbling, jump shot, rules and game play - Demonstrate at least two Handball skills in a practical assessment drill - Reflect on personal improvement and teamwork developed during the sub-strand |
In groups, learners are guided to:
- Review passing types, dribbling technique, jump shot phases, Handball rules and basic tactics - Complete a written assessment; perform a practical drill combining at least two skills for teacher assessment - In pairs, discuss personal improvement and what teamwork element was most valuable during the sub-strand |
What skills and understanding have you developed through playing Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 80
- Exercise books, handballs, court or field - Assessment worksheets |
- Written test
- Practical performance
- Observation
|
|
| 12 | 4 |
Creating and Performing in Creative Arts and Sports
|
Handball - Fitness and Warm-Up for Handball
|
By the end of the
lesson, the learner
should be able to:
- Describe the importance of warm-up and cool-down routines in preventing injury during Handball - Demonstrate a structured warm-up routine applicable to Handball including jogging, stretching and ball familiarisation - Value physical fitness and injury prevention as essential components of sports participation |
In groups, learners are guided to:
- Discuss why warm-up and cool-down routines are important in Handball and sports generally - Lead a structured warm-up: jog two laps, dynamic stretches (leg swings, arm circles), then ball familiarisation drills (toss and catch, solo dribble) - Cool down with static stretches after the activity and reflect on how the warm-up affected their performance readiness |
Why is a proper warm-up and cool-down essential for safe and effective Handball performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open field or court - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 12 | 5 |
Creating and Performing in Creative Arts and Sports
|
Handball - Fitness and Warm-Up for Handball
|
By the end of the
lesson, the learner
should be able to:
- Describe the importance of warm-up and cool-down routines in preventing injury during Handball - Demonstrate a structured warm-up routine applicable to Handball including jogging, stretching and ball familiarisation - Value physical fitness and injury prevention as essential components of sports participation |
In groups, learners are guided to:
- Discuss why warm-up and cool-down routines are important in Handball and sports generally - Lead a structured warm-up: jog two laps, dynamic stretches (leg swings, arm circles), then ball familiarisation drills (toss and catch, solo dribble) - Cool down with static stretches after the activity and reflect on how the warm-up affected their performance readiness |
Why is a proper warm-up and cool-down essential for safe and effective Handball performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open field or court - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
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